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董橋文字集(12)

酒肉歲月太匆匆(上)

By 董橋

(2)

| Others | 9789629735388

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1. A politician will do anything to keep his job-even become a patriot. (William Randolph)
2. 邱吉爾說，所謂政治才能是預測未來的才能，也是萬一事後證明不準又會自圓其說的才能。
3. The doctor can bury his mistakes, but an architect can only advise his clients to plant vines.
4. A poem is a form of refrigeration that stops language going b ... (continue)

1. A politician will do anything to keep his job-even become a patriot. (William Randolph)
2. 邱吉爾說，所謂政治才能是預測未來的才能，也是萬一事後證明不準又會自圓其說的才能。
3. The doctor can bury his mistakes, but an architect can only advise his clients to plant vines.
4. A poem is a form of refrigeration that stops language going bad.
5. 不敢回憶，不能忘記。
6. 一二三四五六七，孝弟忠信禮義廉。
7. The world is a den of thieves, and night is falling. Soon it will be the hour for robbers and murderers...There fore let us e happy while we are happy, let us be kind, generous, affectionate and good. Therefore it is necessary... to take pleasures in the little world: good food. gentle smiles, fruit trees in bloom, and waltzes.
8. Eternity is a terrible thought. I mean, where's it going to end?
9. 終日昏昏醉夢間，忽聞春盡強登山；過院逢僧閑話語，又得浮生半日閑。
10. 足下能待人以誠，在今日已很難得。為人當宅心仁厚，且勿以涼薄待人。
11. 專役志於衣食，殊可惜也。
12. 人生苦短，酒肉歲月太匆匆，朋友情誼才是青山綠水。
13. The first law of dietetics seems to be: if it tastes good, it's bad for you. (Isaac Asimov)
14. 人與人之間為自己的學術信仰怎麼鬧都無所謂，你起碼還可以相信對方是個人，不是國家機器的一粒螺絲釘。
15. You cannot have everything. I mean where would you put it?
16. Have you ever noticed that wrong numbers are never engaged?
17. Middle age is when you are sitting at home on a Saturaday night and the telephone rings and you hope it isn't for you.
18. 現在，讓我這個中國大陸人──而且是個飽經憂患的人，也來插上一句：豐衣足食與民主自己並不是魚與熊掌之間的選擇問題，教我餓著肚皮去享受民主，我不幹──也無從享受；把我餵得飽飽的，可是不給點民主自由，那麼這一來我和牲口──即是作為寵物我家畜，究竟還有什麼區別？
19. It isn't that they can't see the solution. It is that they can't see the problem. (G K Chesterton)
20. 人生起起落落，十之八九決定在命中的有與無；這一輩子腰纏多少財富，說穿了也是注定的，不容強求。有人學究天人，一生潦倒；有人平平庸庸，一生富貴。有人命裏有利無名，有人命裏有名無利，更有人既有名又有利，收穫和耕耘未必都成正比。
21. My luck is so bad if I bought a cemetery, people would stop dying.
22. One must let the play happen to one: one must let the mind loose to respond as it will, to receive impressions, to sense rather than know, to gather rather than immediately understand.

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