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Book Description
This edition of Frankenstein, or The Modern Prometheus, presents Mary Shelley's remarkable novel in several provocative and illuminating contexts, cultural, critical and literary. As part of Longman's new Cultural Edition series of novels, Susan Wolfson presents the 1818 version of Mary Shelley's famous novel in its cultural and historical contexts. Like all great works of fiction, Frankenstein gains depth and dimension from its "conversation" with contemporary texts, especially by Shelley's parents, husband, and friends. In addition to the 1818 text, this cultural edition features the introduction to and a sample revision of the 1831 version. A lively introduction to the edition is complemented by a chronology coordinating Shelley's life with key historical events and a speculative calendar of the novel's events in the late eighteenth century. For those interested in reading and critically analyzing literature.
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- Book Details
- English Books
- Rating:



(230)
4 stars 
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1 star 
- Paperback 384 Pages
- Edition: 1st
- ISBN-10: 0321096983
- ISBN-13: 9780321096982
- Publisher: Longman
- Pub date: Aug 12, 2002
- Dimensions: 21 cm x 16 cm x 2 cm Just how big is that?
- Also available as: Mass Market Paperback, Paperback, Hardcover, Audio CD, Audio Cassette, Library Binding, School & Library Binding, Unbound and Others
- In other languages:

USA

I read this for a modern novel English class in College. This is actually a great story - much better (and very different!) from any movie rendition I have seen. There is a whole other side to the story of the "monster" and this is pretty much an essential read of classic fiction.
Mary Shelley did a good job writing a narrative within a narrative - beginning with a letter (which is an interesting way to start a story in first person) - and continuing with the monster's perspective. Her writing brought me back in time. What amazed me also was the work that she and her husband, ... Continue
Mary Shelley did a good job writing a narrative within a narrative - beginning with a letter (which is an interesting way to start a story in first person) - and continuing with the monster's perspective. Her writing brought me back in time. What amazed me also was the work that she and her husband, Percy Shelly, shared. Also, her references to Milton's "Paradise Lost" gave me an interest in looking at his work as well.
Shelley's monster in this book is an excellent surprise to meet, as opposed to the bastardized version the villian portrayed in current pop culture. Her creation is worlds more terrifying than the glorified zombie we see lumbering around today.