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A Game of Thrones

By George R.R. Martin

(605)

| Mass Market Paperback | 9780006479888

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Book Description

A Game of Thrones is a contemporary masterpiece of fantasy.  The cold is returning to Winterfell, where summers can last decades and winters a lifetime.  A time of conflict has arisen in the Stark family, as they are pulled from the safety of their home into a whirlpool of tragedy, betrayal, Continue

A Game of Thrones is a contemporary masterpiece of fantasy.  The cold is returning to Winterfell, where summers can last decades and winters a lifetime.  A time of conflict has arisen in the Stark family, as they are pulled from the safety of their home into a whirlpool of tragedy, betrayal, assassination, plots and counterplots.  Each decision and action carries with it the potential for conflict as several prominent families, comprised of lords, ladies, soldiers, sorcerers, assassins and bastards, are pulled together in the most deadly game of all--the game of thrones.

Critics

  • Book Review: A Game of Thrones, 4-Book Boxed Set (A Song of Ice and Fire Series) by George R.R. Martin Share

    It might seem a little odd to be reviewing books that have been available for the best part of the past decade. However, with the renewed interest in George R.R. Martin's epic fantasy series, "A Song of Ice and Fire", thanks to a Home Box Office (HBO ... (read full critics)

    blogcritics published on Mon, 23 Jan 2012

27 Reviews

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  • 6 people find this helpful

    A very good book!

    A bit slow to start but then the pace picks up and the next thing you know you are totally sucked into the story line. This book is not for the faint of heart and also not for people who get attached to characters. George RR Martin has no qualms about killing people!

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    beagle1 said on Oct 3, 2007 | Add your feedback

  • 3 people find this helpful

    An 800-page prologue, plots, sub-plots and questionable characters

    The good: Martin can write, when he puts himself to it. He can even let characters emerge from their actions without explaining everything to death. His world-building is often pretty solid, to the point where the unexplained bits feel like watching Blade Runner without the bloody narrator: you're f ... (continue)

    The good: Martin can write, when he puts himself to it. He can even let characters emerge from their actions without explaining everything to death. His world-building is often pretty solid, to the point where the unexplained bits feel like watching Blade Runner without the bloody narrator: you're fascinated and want to know more, longing for a deeper understanding and willing to wait or work more for your rewards. Chapter headings bear the name of the character whose viewpoint is followed in them: That makes for some interesting and insightful switching of points of view. Some cliffhangers are well played out: when the book picks them up again, the story has moved on enough that you are on edge, waiting for the writer to reveal you what the hell's happened, especially if the plotline is picked up through another characters' eyes.
    The bad: The good stops after 200 pages and occasionally resumes about 500 pages later. I'm perplexed to read Stephen Donaldson calling himself a notorious over-writer, whereas Martin and Jordan (to name but those I've read) get away with writing these monsters which could have been summed up in a quarter if the space, as they are little more than a collection of plot twists, with mercifully short chapters that read like Dragonball anime episodes: 25 minutes of smoke screen for one lonely bit if info. For God's sake, what's taking you so long, mate? Oh wait, bigger and more numerous books equal more money... Oh, okay, got it! If you do not care for a character and his/her story are fairly detached from the rest (Jon and Danerys), reading through them is often a pain: you'll wish the writer had cut some chapters, or sites those for another book our a soon-off if you're a completist.
    The ugly: this doesn't really sound like anything new, partly because it's apparently based on idealised visions of gruesome middle ages, partly because it's really uselessly long. Insane lists of useless names are not good world-building, they're pretension. Back cover quotes for this books usually compare them favourably against Tolkien's to class creations: that's such a load of crap. Tolkien's good because the background work was so deep and consistent, by the time he sat down to write the Lord Of The Rings, he achieved more a writer in a thousand odd pages than Martin will have achieved when the seventh and last book will be out. Tolkien also had the decency to let the process out until his son dragged his corpse out of the grave (happy as I an to have been able to read the Silmarillion and more, I recognise tomb-raiding when I see it), while Martin just throws it all at you at once. If you value quantity over quality though, my complaints will be your praise. Also: if you want to see intelligent woman characters, open another book. If you wasn't to see a positive depiction of sex: open another book. Rape and whoring abound, and much as I value realism and mature themes (this is after all revised middle age "history") to bring fantasy out of the Harry Potter hole, this is not it. Realistic politics play a big role in the book; however, some characters still act so dumbly (for overdone sense of honour or inexplicable plain stupidity) that it all loses strength and credibility. Eddard and Catelyn are despicable in this respect, the latter is am especially insufferable person. Buy they're both honest to the point of seeming gullible against all reason, and Catelyn goes as far as showing, at some point, some incredible pacifism that is so badly portrayed, our makes a god thing look bad! China Mieville's your cup of tea if you love fantastic worlds and worldviews if total credibility, or the often sadly overseen Stephen R. Donaldson.
    Closing comments: I eventually was enthused enough by the plot that I might read book 2 some day (after having read Ghormenghast and at least 2 more Donaldson and Mieville books...): if that also fails to give me some sense of achievement, that's totally it, I'm over my brief falling in with unending fantasy epics.

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    Hadourien136 said on Aug 1, 2011 | Add your feedback

  • 3 people find this helpful

    I am not usually a fan of fantasy fiction, but this really was a compelling reading.

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    Ro said on Jun 14, 2007 | Add your feedback

  • Wasn't sure what to expect don't normally read fantasy books. Excellent really good read, would definitely recommend .

    Excellent read!

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    katie jones said on Feb 2, 2012 about the eBook edition | Add your feedback

  • il problema con i voti è: come puoi paragonare Martin (bravissimo) con Tolstoj (sublime)? per ora sto aggiungendo alla mia libreria solo i libri che mi sono piaciuti molto, e bello e bellissimo sono una range troppo limitata per esprimere tutta la bellezza di queste storie. il che è un peccato. e to ... (continue)

    il problema con i voti è: come puoi paragonare Martin (bravissimo) con Tolstoj (sublime)? per ora sto aggiungendo alla mia libreria solo i libri che mi sono piaciuti molto, e bello e bellissimo sono una range troppo limitata per esprimere tutta la bellezza di queste storie. il che è un peccato. e tocca andare giù con l'accetta.

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    Barbara Capponi said on Jan 11, 2012 about the Others edition | Add your feedback

  • "The blood of the First Men still flows in the veins of the Starks, and we hold to the belief that the man who passes the sentence should swing the sword. If you would take a man's life, you owe it to him to look into his eyes and hear his final words. And if you cannot bear to do that, then perhaps ... (continue)

    "The blood of the First Men still flows in the veins of the Starks, and we hold to the belief that the man who passes the sentence should swing the sword. If you would take a man's life, you owe it to him to look into his eyes and hear his final words. And if you cannot bear to do that, then perhaps tha man does not deserve to die."

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    Ayrin said on Dec 25, 2011 about the Paperback edition | Add your feedback

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