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  • Flowers Has His own Show

  • A lot of characters that are put in the story to confuse the readers, and the unlikely one was pulled out to be the culprit.

    Virgil Flowers is a shadow of Devenport, and his style is similar but more sentimental than his boss. This gave the author to extend his character building from his popu ... Continue

    A lot of characters that are put in the story to confuse the readers, and the unlikely one was pulled out to be the culprit.

    Virgil Flowers is a shadow of Devenport, and his style is similar but more sentimental than his boss. This gave the author to extend his character building from his popular series, though the basic plot structure has not much difference. Overall, this is an interesting suspense.

    

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• ― artie said on Jan 11, 2009 | Add your feedback

After a six-year absence from the bestseller lists, Dick Francis roared out of the gate with 2006's Under Orders, demonstrating once again every ounce of his famed narrative drive, brilliant plotting, and simmering suspense. Hard on the heels of that triumph comes Dead Heat, set against the backdrop of Britain's famed Two Thousand Guineas Stakes. Max Moreton is a rising culinary star and his Newmarket restaurant, The Hay Net, has brought him great acclaim and a widening circle of admirers. But when nearly all the guests who enjoyed one of his meals at a private catered affair fall victim to severe food poisoning, his kitchen is shuttered and his reputation takes a hit. Scrambling to meet his next obligation, an exclusive luncheon for forty in the glass-fronted private boxes at the Two Thousand Guineas, Max must overcome the previous evening's disaster and provide the new American sponsors of the year's first classic race with a day to remember.

Then a bomb blast rips through the private boxes, killing some of Max's trusted staff as well as many of the guests. As survivors are rushed to the hospital, Max is left to survey the ruins of the grandstand-and of his career. Two close calls are too close for comfort, and Max vows to protect his name-and himself-before it's too late.

Virgil Flowers-tall, lean, late thirties, three times divorced, hair way too long for a cop's-had kicked around for a while before joining the Minnesota Bureau of Criminal Apprehension. First, it was the army and the military police, then the police in St. Paul, and finally Lucas Davenport had brought him into the BCA, promising him, "We'll only give you the hard stuff."

He'd been doing the hard stuff for three years now-but never anything like this. In the small town of Bluestem, where everybody knows everybody, a house way up on a ridge explodes into flames, its owner, a man named Judd, trapped inside. There is a lot of reason to hate him, Flowers discovers. Years ago, Judd had perpetrated a scam that'd driven a lot of local farmers out of business, even to suicide. There are also rumors swirling around: of some very dicey activities with other men's wives; of involvement with some nutcase religious guy; of an out-of-wedlock daughter. In fact, Flowers concludes, you'd probably have to dig around to find a person who didn't despise him.

And that wasn't even the reason Flowers had come to Bluestem. Three weeks before, there'd been another murder-two, in fact-a doctor and his wife, the doctor found propped up in his backyard, both eyes shot out. There hadn't been a murder in Bluestem in years-and now, suddenly, three? Flowers knows two things: This wasn't a coincidence, and this had to be personal.

But just how personal is something even he doesn't realize, and may not find out until too late. Because the next victim . . .may be himself.

Filled with the audacious plotting, rich characters, and brilliant suspense that have always made his books "compulsively readable" (Los Angeles Times), Dark of the Moon is vintage Sandford, further proof that he "is in a class of his own" (The Orlando Sentinel).

• Suspense