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Death of a Salesman

By Arthur Miller

(166)

| Audio Cassette | 9781559942560

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Book Description

Death of a Salesman burst upon the scene in 1949, and is as fresh and meaningful today as it was when it opened on Broadway - and won the Drama Critics' Circle Award, the Tony Award and the Pulitzer Prize.

As Death of a Salesman is Miller's great play, Willy Loman is Lee J. Cobb's great role. He Continue

Death of a Salesman burst upon the scene in 1949, and is as fresh and meaningful today as it was when it opened on Broadway - and won the Drama Critics' Circle Award, the Tony Award and the Pulitzer Prize.

As Death of a Salesman is Miller's great play, Willy Loman is Lee J. Cobb's great role. He created the part on Broadway, just as Mildred Dunnock created the role of Linda Loman. They both recreate their roles here, with an exceptional cast including Michael Tolan as Biff, Gene Williams as Happy, and in the role of Bernard - Dustin Hoffman.

Arthur Miller took an active part in this production, undertaken expressly for this recording - from Miller himself recording the introduction with which the play opens to choosing the director, participating in the casting, and attending the rehearsals.

Arthur Miller was born in New York City in 1915. His first theatrical success occurred in 1947 with All My Sons, which earned him the Drama Critics' Circle Award. In 1949, Death of a Salesman was given the Pulitzer Prize and Drama Critics' Circle Award. The Crucible won a Tony Award four years later. His other plays include A View From the Bridge, The Price, After the Fall, Incident at Vichy, The American Clock, Danger: Memory, The Ride Down Mt. Morgan, and Broken Glass.

8 Reviews

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  • 2 people find this helpful

    Tom Waits, "Yesterday Is Here"

    If you want money in your pocket
    And a top hat on your head
    A hot meal on your table
    And a blanket on your bed

    Well today is grey skies
    Tomorrow is tears
    You'll have to wait til yesterday is here

    Well I'm going to New York City
    And I'm leaving on a train
    And if you want to stay behind
    And ... (continue)

    If you want money in your pocket
    And a top hat on your head
    A hot meal on your table
    And a blanket on your bed

    Well today is grey skies
    Tomorrow is tears
    You'll have to wait til yesterday is here

    Well I'm going to New York City
    And I'm leaving on a train
    And if you want to stay behind
    And wait til I come back again

    Well today is grey skies
    Tomorrow is tears
    You'll have to wait til yesterday is here

    If you want to go where the rainbows end
    You'll have to say goodbye
    All our dreams come true baby up ahead
    And it's out where your memories lie

    Well the road's out before me
    And the moon is shining bright
    What I want you to remember
    As I disappear tonight

    Today is grey skies
    Tomorrow's tears
    You'll have to wait til yesterday is here
    You'll have to wait til yesterday is here

    You'll have to wait
    Til yesterday is here.

    Is this helpful?

    míol mór said on Nov 2, 2011 about the Paperback edition | 4 feedbacks

  • 1 person find this helpful

    A very interesting and thought-provoking play consisting of two acts and a requiem which is still contemporary.

    Willy, the protagonist, is the prototype of the ordinary man that we see everyday in our society, even though it has been six decades since the play was written. He was born in the U ... (continue)

    A very interesting and thought-provoking play consisting of two acts and a requiem which is still contemporary.

    Willy, the protagonist, is the prototype of the ordinary man that we see everyday in our society, even though it has been six decades since the play was written. He was born in the USA, so he was educated in a capitalist society which sees work and money as the top values to reach happiness.

    We could say that Willy is both a victim and victimizer of the American Way of life, given that he had the essence of an unassuming man but he was consumed by the common attitudes of his surroundings: envy and pride in a world of appearances, alienation and thirst of power.

    He has not fully adapted himself to the 20th century American hero, who has changed from being an intrepid explorer to a capitalist and consumer beast. He is already an old man who still lives in the roaring twenties, so he transfers his desire to achieve the American Dream to his sons and becoming the father he did not have to advise him when he was young.

    He has focused so much on paying the bills that he forgot to live, he forgot that money and gadgets do not bring happiness, they have, on the contrary, ruined his life.

    Is this helpful?

    1984 said on Oct 4, 2009 about the Paperback edition | Add your feedback

  • Critical introduction/comment(s):

    [This play] was written in six weeks in the spring of 1948, but it had been brewing in [the author]'s mind for ten years. Its 742 performances put it among the fifty longest recorded Broadway runs...Miller himself defined his aim in the play as being 'to set forth what happens when a man does not ha ... (continue)

    [This play] was written in six weeks in the spring of 1948, but it had been brewing in [the author]'s mind for ten years. Its 742 performances put it among the fifty longest recorded Broadway runs...Miller himself defined his aim in the play as being 'to set forth what happens when a man does not have a grip on the forces of life'.

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    Your Sources said on Mar 3, 2011 about the School & Library Binding edition | Add your feedback

  • The complex visuals make it difficult to read, especially because the stage notes are somewhat vague.

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    pktechgirl said on Oct 30, 2008 about the Paperback edition | Add your feedback

  • The classmates in my english class ruined this book for me. I probably would have liked it more if they didn't exist.

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    Bostonrox2 said on Jun 25, 2007 about the Paperback edition | Add your feedback

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9781559942560 Audio Cassette $18.00 -- The Book Depository
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