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Game of Thrones

By G Martin

(698)

| Others | 9781417665990

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Book Description

Here is the first volume in George R. R. Martin’s magnificent cycle of novels that includes A Clash of Kings and A Storm of Swords. As a whole, this series comprises a genuine masterpiece of modern fantasy, bringing together the best the genre has to offer. Magic, mystery, intrigue, roContinue

Here is the first volume in George R. R. Martin’s magnificent cycle of novels that includes A Clash of Kings and A Storm of Swords. As a whole, this series comprises a genuine masterpiece of modern fantasy, bringing together the best the genre has to offer. Magic, mystery, intrigue, romance, and adventure fill these pages and transport us to a world unlike any we have ever experienced. Already hailed as a classic, George R. R. Martin’s stunning series is destined to stand as one of the great achievements of imaginative fiction.

A Game of Thrones

Long ago, in a time forgotten, a preternatural event threw the seasons out of balance. In a land where summers can last decades and winters a lifetime, trouble is brewing. The cold is returning, and in the frozen wastes to the north of Winterfell, sinister and supernatural forces are massing beyond the kingdom’s protective Wall. At the center of the conflict lie the Starks of Winterfell, a family as harsh and unyielding as the land they were born to. Sweeping from a land of brutal cold to a distant summertime kingdom of epicurean plenty, here is a tale of lords and ladies, soldiers and sorcerers, assassins and bastards, who come together in a time of grim omens.

Here an enigmatic band of warriors bear swords of no human metal; a tribe of fierce wildlings carry men off into madness; a cruel young dragon prince barters his sister to win back his throne; and a determined woman undertakes the most treacherous of journeys. Amid plots and counterplots, tragedy and betrayal, victory and terror, the fate of the Starks, their allies, and their enemies hangs perilously in the balance, as each endeavors to win that deadliest of conflicts: the game of thrones.

27 Reviews

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  • 7 people find this helpful

    A very good book!

    A bit slow to start but then the pace picks up and the next thing you know you are totally sucked into the story line. This book is not for the faint of heart and also not for people who get attached to characters. George RR Martin has no qualms about killing people!

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    beagle1 said on Oct 3, 2007 about the Mass Market Paperback edition | Add your feedback

  • 3 people find this helpful

    An 800-page prologue, plots, sub-plots and questionable characters

    The good: Martin can write, when he puts himself to it. He can even let characters emerge from their actions without explaining everything to death. His world-building is often pretty solid, to the point where the unexplained bits feel like watching Blade Runner without the bloody narrator: you're f ... (continue)

    The good: Martin can write, when he puts himself to it. He can even let characters emerge from their actions without explaining everything to death. His world-building is often pretty solid, to the point where the unexplained bits feel like watching Blade Runner without the bloody narrator: you're fascinated and want to know more, longing for a deeper understanding and willing to wait or work more for your rewards. Chapter headings bear the name of the character whose viewpoint is followed in them: That makes for some interesting and insightful switching of points of view. Some cliffhangers are well played out: when the book picks them up again, the story has moved on enough that you are on edge, waiting for the writer to reveal you what the hell's happened, especially if the plotline is picked up through another characters' eyes.
    The bad: The good stops after 200 pages and occasionally resumes about 500 pages later. I'm perplexed to read Stephen Donaldson calling himself a notorious over-writer, whereas Martin and Jordan (to name but those I've read) get away with writing these monsters which could have been summed up in a quarter if the space, as they are little more than a collection of plot twists, with mercifully short chapters that read like Dragonball anime episodes: 25 minutes of smoke screen for one lonely bit if info. For God's sake, what's taking you so long, mate? Oh wait, bigger and more numerous books equal more money... Oh, okay, got it! If you do not care for a character and his/her story are fairly detached from the rest (Jon and Danerys), reading through them is often a pain: you'll wish the writer had cut some chapters, or sites those for another book our a soon-off if you're a completist.
    The ugly: this doesn't really sound like anything new, partly because it's apparently based on idealised visions of gruesome middle ages, partly because it's really uselessly long. Insane lists of useless names are not good world-building, they're pretension. Back cover quotes for this books usually compare them favourably against Tolkien's to class creations: that's such a load of crap. Tolkien's good because the background work was so deep and consistent, by the time he sat down to write the Lord Of The Rings, he achieved more a writer in a thousand odd pages than Martin will have achieved when the seventh and last book will be out. Tolkien also had the decency to let the process out until his son dragged his corpse out of the grave (happy as I an to have been able to read the Silmarillion and more, I recognise tomb-raiding when I see it), while Martin just throws it all at you at once. If you value quantity over quality though, my complaints will be your praise. Also: if you want to see intelligent woman characters, open another book. If you wasn't to see a positive depiction of sex: open another book. Rape and whoring abound, and much as I value realism and mature themes (this is after all revised middle age "history") to bring fantasy out of the Harry Potter hole, this is not it. Realistic politics play a big role in the book; however, some characters still act so dumbly (for overdone sense of honour or inexplicable plain stupidity) that it all loses strength and credibility. Eddard and Catelyn are despicable in this respect, the latter is am especially insufferable person. Buy they're both honest to the point of seeming gullible against all reason, and Catelyn goes as far as showing, at some point, some incredible pacifism that is so badly portrayed, our makes a god thing look bad! China Mieville's your cup of tea if you love fantastic worlds and worldviews if total credibility, or the often sadly overseen Stephen R. Donaldson.
    Closing comments: I eventually was enthused enough by the plot that I might read book 2 some day (after having read Ghormenghast and at least 2 more Donaldson and Mieville books...): if that also fails to give me some sense of achievement, that's totally it, I'm over my brief falling in with unending fantasy epics.

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    Hadourien136 said on Aug 1, 2011 about the Mass Market Paperback edition | Add your feedback

  • dear god this dragged

    Okay i admit i did not make it to the end and abanoded this one 200 pages in. Now i have never read a fantasy as this, so that may be the problem. But bloody hell this was tedious

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    John Brunton said on May 20, 2012 about the eBook edition | Add your feedback


  • I appreciated the many different characters, their complex personalities and the challenge of understanding the reasons why they act...
    I find myself totally absorbed and intrigued... lost in this wonderful "epic soap opera"

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    Pi said on May 18, 2012 about the Paperback edition | Add your feedback

  • I agree with Marco's review , stay with it and it is rewarding but there a hell of a lot characters all with odd names and it takes a lot to remeber who is who . The only bad thing about the book(s) is you don't have "goodies" & " badies" , just an awful lot of characters .

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    Stephen Pattison said on Apr 9, 2012 about the Mass Market Paperback edition | Add your feedback

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