I'm your average trainspotter when it comes to music: things like label changes, singles, b-sides, shows, changes in lyrics are cool to me; vague, bizarre stuff about music sticks in my mind. And as Morrissey is my favourite living artist and seems to be extremely nerdy when it comes to music, he's left a legacy of borrowing elements from all types of media for his lyrics and music - for instance many a lyric he's culled off Shelagh Delaney's plays, or the music from The Cookies' "Only To Other People" for his "Girl Least Likely To" - not to mention obscure stuff like excommunicating people and leaving messages in the run-out grooves of vinyl records, his unique style and varying likes and dislikes are very much enhanced through this knowledge. If you're a music-sicko like me, that is.
I read this book from page one and forth, and as such it was beautiful to take an inner journey through Morrissey's work. For instance, reading of the workings surrounding the album "Vauxhall & I" really added depth for me, in relation to even the lyrics for the songs, those on the album, those reserved for b-sides and those discarded completely.
If the reader is a Morrissey neophyte, watch out: he has often given pretty varying accounts of events, times and likes/dislikes in the past, consciously or/and unconsciously. Hence, this feels a bit like treading water in wait for Morrissey's autobiography to drop, whenever and if-ever it will.
So, all in all, is this book worth a read? Fairly. If you're as much into minutiae regarding Morrissey and The Smiths as I am and you have a fair amount of common sense in order to try and separate gossip from fact, I'd say go for it. If you've heard "Girlfriend In A Coma" and say "Who?" when you hear the name Timi Yuro or see a picture of The Salford Lads Club, you'd probably fare better with another book.Continua...