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  • 從來只會用"much ado about nothing"來形容自己，但我還是三年前才知道這是來自Sha kespeare的一個劇本．．．．． 好遜．．．．

    幾年前飛澳洲太無聊始買來看看，翻了幾頁就擱下；前天躺在床上睡不 著，從書架上取過來翻看，哎，竟然挺喜歡！我想這是我自大學畢業後 ，第一本並非為功課而自願去看的一本William Shakespeare.

    

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• ― lamfa said on Jul 20, 2007 about the Paperback edition| Add your feedback

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  • Introduction/critical comment(s):

  • The Arden Shakespeare, founded in the 1890s, has, with a continuing process of revision, established itself as the standard scholarly edition of Shakespeare's works. Each play appears in a separate volume with critical notes, apparatus, appendices giving extracts from the relevant sources, and a fu ... Continue

    The Arden Shakespeare, founded in the 1890s, has, with a continuing process of revision, established itself as the standard scholarly edition of Shakespeare's works. Each play appears in a separate volume with critical notes, apparatus, appendices giving extracts from the relevant sources, and a full introduction. For the general reader and for students who want something more substantial than school texts or a one-volume Shakespeare, the Arden edition, edited to the highest standards of modern scholarship, has continued to prove invaluable.

    

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• ― Your Sources said on Oct 2, 2008 about the Hardcover edition| Add your feedback

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  • A play of many layers

  • This play has everything: humor, romance, tragedy, deception... my favorite of Shakespeare's plays! Beatrice is the best female character he's written. Read the play and also see the film with Emma Thompson. You'll enjoy yourself :)

    

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• ― MoirneStark said on May 30, 2008 about the Paperback edition| Add your feedback

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  • Much Ado’s comedy is a mixture of slapstick, romantic farce and cynical one-liners; alongside this humour the central plot of the play has very dark moments and verges on the tragic. For these reasons, Much Ado is a notoriously tricky comedy to direct and perform. But the students at my school in Fo ... Continue

    Much Ado’s comedy is a mixture of slapstick, romantic farce and cynical one-liners; alongside this humour the central plot of the play has very dark moments and verges on the tragic. For these reasons, Much Ado is a notoriously tricky comedy to direct and perform. But the students at my school in Form Six, who were studying the play for their A-Levels, were desperate to get to the heart of the play by not just reading it but also bringing it to life on the stage. Some of these students had been working their way up the ranks in drama since way back when they were in F. 1 and F. 2. They had played non-speaking parts, helped to make props and paint sets, handed out programmes and done a host of other chores for the drama team. And they reminded me that F. 6 would probably be their last chance to appear in a school production. How could I say no?

    Yet for students who were previously used to the light-hearted, festive mischief and mayhem of A Midsummer Night’s Dream and Twelfth Night, getting to grips with Much Ado was going to involve a rethink of their expectations of comedy. This play has more worldly wise – or even worldly weary – characters than most of Shakespeare’s other romantic comedies. Rather than longing for romance, many characters seem convinced that the opposite sex cannot be trusted and that relationships are all too likely to fall prey to infidelities. Those characters who do fall in love in a straightforward way such as Hero and Claudio are presented as absurdly naïve and easily duped. And there are no characters in the other comedies that are quite so utterly vicious and malevolent as Much Ado’s Don John. The play ends with the joy of a double marriage, but it seems as if this ending has depended upon miraculous good fortune and remarkable, undeserved forgiveness rather than being an outcome that the characters have earned. The play has plenty to make audiences laugh, but there are also moments when the audience will feel uncomfortable and will be challenged to reflect on their attitudes towards relationships. It is certainly not a play which invites us to take love for granted.

    However, it is perhaps these very difficulties which make the play so appealing to a sophisticated modern audience. Much Ado About Nothing may frustrate you if you are hoping for fairy-tale romance. But I hope that you will instead find something far richer and more rewarding in the play. Despite – or perhaps because of – their flaws and foibles, the people in this play are among the most fully human, believable characters that Shakespeare ever created. The play presents characters who have been jaded by their experiences in love – but who learn to love again and, having been out of love for a time, to appreciate all the more deeply what they very nearly lost.

    Summary of the Plot

    The war is finally over and a party atmosphere has overtaken the sleepy town of Messina. As the play begins, preparations are underway for the arrival of General Don Pedro and his handsome young lieutenants Claudio and Benedick at the villa of the town’s governor, Leonato.

    Once the fighting is over, the people of Messina and their visitors can turn their thoughts to love. Claudio is smitten with Hero, the governor’s daughter but is too nervous to propose and so asks Don Pedro to do so for him. Benedick, however, is less fortunate. On a previous visit to Messina he broke the heart of Leonato’s niece Beatrice. As soon as they meet it is clear that she hasn’t forgiven him and they are soon embroiled in an intense ‘war of wit’. Their arguing is a great source of amusement for everyone around them, and it isn’t long before Don Pedro has persuaded everyone that it would be hilarious to play a trick on them in order to make them fall in love.

    Meanwhile, Don Pedro’s illegitimate brother Don John hears that Claudio plans to woo Hero. Don John resents Claudio’s success and is angry at having been cast aside by Don Pedro, so he plots to prevent Claudio from marrying Hero. First he tries to persuade Claudio that Don Pedro wants Hero for himself. Then, when this fails, he devises a plot to convince Claudio and Don Pedro that Hero has been unfaithful.

    Don John’s plot works and Claudio horrifies Hero and her family by announcing on their wedding day that she is an ‘approved wanton’. As Claudio storms off, Hero is so shocked that she collapses. Beatrice urges Benedick to challenge Claudio to a duel, warning that she cannot love him unless he is prepared to defend her cousin’s honour. Leonato is overwhelmed with grief and shame, but the Priest persuades him that his daughter is innocent and that he should pretend that she is dead in order to make Claudio feel remorseful.

    Fortunately, the local constabulary stumbles across Don John’s drunken assistant Borachio boasting about how he carried out the plot against Hero for his master. Borachio is arrested and forced to confess to Leonato and Claudio. Once the truth is revealed, Claudio vows to Leonato that he will do whatever he is asked as penance for having caused the death of Hero. Leonato orders him to marry Hero’s cousin, who is presented to him beneath a veil. It is only once he agrees to do so that the ‘cousin’ can remove her veil and reveal to Claudio that she is in fact Hero, and still very much alive. Hero and Claudio are married, Beatrice and Benedick are united – although still mocking one another – and Benedick is greatly relieved that since Claudio is now his kinsman, he will no longer have to fight with him.

    More details about our school's production can be found at http://englishplace.wetpaint.com

    

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• ― David Johncock said on Oct 8, 2007 about the Paperback edition| Add your feedback

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  • 

  • 老英文的劇本還是有點困難
    讓人想起讀文言文時的歡樂時光XD

    

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• ― razor's edge said on Oct 1, 2007 | Add your feedback

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  • One of my favorite of Shakespeare's.

    

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• ― Carobookie said on Aug 31, 2007 about the Paperback edition| Add your feedback

Folger Shakespeare Library

The world's leading center for Shakespeare studies

Each edition includes:

• Freshly edited text based on the best early

printed version of the play

• Full explanatory notes conveniently placed on pages facing the text of the play

• Scene-by-scene plot summaries

• A key to famous lines and phrases

• An introduction to reading Shakespeare's language

• An essay by an outstanding scholar providing a modern perspective on the play

• Illustrations from the Folger Shakespeare Library's vast holdings of rare books

Essay by Gail Kern Paster

The Folger Shakespeare Library in Washington, D.C., is home to the world's largest collection of Shakespeare's printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs.

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