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  • I dislike this book at the same time I liked it. It was hard to understand due to the use of Spanish. However, I like that the author did this, making this book more appealing to students who speak Spanish as their first language or possibly appealing to a teacher for use in a classroom. I think it ... Continue

    I dislike this book at the same time I liked it. It was hard to understand due to the use of Spanish. However, I like that the author did this, making this book more appealing to students who speak Spanish as their first language or possibly appealing to a teacher for use in a classroom. I think it would be a good discussion book, however, I think it would be a hard book to sell to to students because of its length and the possible Spanish challenge. It does deal with the issue of drungs, death and war.I think the author did a very good job of portraying life as a Mexican American during the 1960s. The story seem believable even while it was overly tragic.pendejos = jerksQuotesp. 42 Fathers new a lot of things, I wondered why fathers kept so many secrets from their sons.

    

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• ― SheReads said on Mar 5, 2007 | Add your feedback

The "Hollywood" where Sammy Santos and Juliana Rios live is not the West Coast one, the one with all the glitz and glitter. This Hollywood is a tough barrio at the edge of a small town in southern New Mexico. Sammy and this friends-members of the 1969 high school graduating class-face a world of racism, dress codes, war in Vietnam and barrio violence. In the summer before his senior year begins, Sammy falls in love with Juliana, a girl whose tough veneer disguises a world of hurt. By summer's end, Juliana is dead. Sammy grieves, and in his grief, the memory of Juliana becomes his guide through this difficult year. Sammy is a smart kid, but he's angry. He's angry about Juliana's death, he's angry about the poverty his father and his sister must endure, he's angry at his high school and its thinly disguised gringo racism, and he's angry he might not be able to go to college. Benjamin Alire Saenz, evoking the bittersweet ambience found in such novels as McMurtry's The Last Picture Show, captures the essence of what it meant to grow up Chicano in small-town America in the late 1960s.

Benjamin Alire Saenz-novelist, poet, essayist and writer of children's books-is at the forefront of the emerging Latino literatures. He has received both the Wallace Stegner Fellowship and the Lannan Fellowship, and is a recipient of the American Book Award. Born Mexican-American Catholic in the rural community of Picacho, New Mexico, he now teaches at the University of Texas at El Paso, and considers himself a "fronterizo," a person of the border.

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