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The Parallax View is Slavoj Zizek's most substantial theoretical work to appear in many years; Zizek himself describes it as his magnum opus. A parallax can be defined as the apparent displacement of an object caused by a change in observational position. Zizek is interested in the 'parallax gap' separating two points between which no synthesis or mediation is possible, linked by an 'impossible short circuit' of levels that can never meet. From this consideration of parallax, Zizek begins a rehabilitation of dialectical materialism. The Parallax View not only expands Zizek's Lacanian-Hegelian approach to new domains (notably cognitive brain sciences) but also provides the systematic exposition of the conceptual framework that underlies his entire work. Philosophical and theological analysis and detailed readings of literature, cinema, and music coexist with lively anecdotes and obscene jokes. This is Zizek at the height of his powers, both as a writer and a thinker.