When art historian Max Morden returns to the seaside village where he once spent a childhood holiday, he is both escaping from a recent loss and confronting a distant trauma. The Grace family had appeared that long-ago summer as if from another ...
world. Mr and Mrs Grace, with their worldly ease and candour, were unlike any adults he had met before. But it was his contemporaries, the Grace twins Myles and Chloe, who most fascinated Max. He grew to know them intricately, even intimately, and what ensued would haunt him for the rest of his years and shape everything that was to follow. 'This is a novel in which all Banville's remarkable gifts come together to produce a real work of art, disquieting, disturbing, beautiful, intelligent, and in the end, surprisingly, offering consolation' Allan Massie, Scotsman 'The Sea is essentially a redemptive journey of the mind ...a master at the top of his game' Time Out
What a magnificent book, I am glad my library has one copy of this unforgettable book.This is the story of Max Morden who, while he is mourning the loss of his wife, remembers his childhood in a seaside town. These flashbacks don't many any breaksWhat a magnificent book, I am glad my library has one copy of this unforgettable book.
This is the story of Max Morden who, while he is mourning the loss of his wife, remembers his childhood in a seaside town. These flashbacks don't many any breaks into the narrative, on the contrary, we are able to follow Max's good and bad moments of his entire life.
[3.5 stars]I’m a bit disappointed when reading this Booker-winning novel. The narrator murmurs throughout the whole novel about his past, on the target of his childhood sexual fantasy, on his daughter who, alas, isn’t quite beautiful though[3.5 stars]
I’m a bit disappointed when reading this Booker-winning novel. The narrator murmurs throughout the whole novel about his past, on the target of his childhood sexual fantasy, on his daughter who, alas, isn’t quite beautiful though smart, and on the youthful imperative he felt to save his first love from her faults which were all hers. Those memories sprawl, nebulous. I’m still not very sure what point this novel really is about at this moment. Confusion, maybe, as one critic points out.
Certainly this novel isn’t bad. I love the beautiful vocabularies he employs in the prose (I've learned quite a lot of interesting words). I can accept a novel with less plot as long as it is compensated by some emphasis on style, which Banville does, with some magnificent sentences, occasionally. For style, however, I would still prefer to read books by Cormac McCarthy and Marilynne Robinson. I’m also interested in the topic surrounding memory and recollection. The Sea really IS about remembering, though sometimes I hope Banville could show some insight about the nature of remembering, which he does only sometimes, though not enough to impress me. Barnes’ The Sense of an Ending is better in this dimension. Whenever I manage to think of the good things about this novel (and hence the reason to persevere through it), better instances pop up in my head. That’s the trouble I had when reading this book.
The review on NY Times by Terrence Rafferty is recommended. It partly solves some mysteries about this book for me. ...Continua Nascondi