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Mel Bay Jazz Piano Scales & Modes |
By Misha V. Stefanuk |
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Kiss Me Kate |
By Cole Porter |
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All The Jazz Chords You'll Ever Need! |
By Jack Long |
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All the Blues Chords You'll Ever Need! |
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The Christian, the Arts, and Truth: Regaining the Vision of Greatness |
By Frank Ely Gaebelein |
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Big Book of Movie Music |
By Hal Leonard Publishing Corporation |
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Tango (Por Una Cabeza): Solo Violin W/Piano Reduction |
By Alfredo Le Pera |
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The Red Violin Caprices: for Solo Violin |
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The Christmas Songbook |
By Music Sales Corporation |
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One Flesh |
By B. Yandian |
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The Performance Studies Reader |
By Henry Bial |
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Why Classical Music Still Matters: (Simpson Book in the Humanities) |
By Lawrence Kramer |
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The Visible World |
By Mark Slouka |
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Falling in Love for All the Right Reasons: How to Find Your Soul Mate |
By Ken Abraham, Neil Clark Warren |
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Date or Soul Mate?: How to Know if Someone is Worth Pursuing in Two Dates or Less |
By Neil Clark Warren |
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101 Things I Learned in Architecture School |
By Matthew Frederick |
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On the Track: A Guide to Contemporary Film Scoring, Second Edition |
By Fred Karlin |
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Musical Composition |
By Reginald Smith Brindle |
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Hearing and Writing Music: Professional Training for Today's Musician (2nd Edition) |
By Ron Gorow |
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The Jazz Theory Book |
By Mark Levine |
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Berio's Sequenzas: Essays on Performance, Composition and Analysis |
By Janet K. Halfyard |
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Film Music: A Neglected Art : A Critical Study of Music in Films |
By Roy M. Prendergast |
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Music |
By Daniel T. Politoske |
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Norton Anthology of Western Music, Fifth Edition: Volume 1: Ancient to Baroque |
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A History of Western Music |
By Claude V. Palisca, Donald Jay Grout, Peter J. Burkholder |
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A Long Way Gone: Memoirs of a Boy Soldier |
By Ishmael Beah |
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Brahms and the Principle of Developing Variation: (California Studies in 19th Century Music) |
By Walter Frisch |
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Sonata Forms |
By Charles Rosen |
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The Structure of Atonal Music |
By Allen Forte |
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Analysis through Composition: Principles of the Classical Style |
By Nicholas Cook |
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The Foundation Center's Guide to Proposal Writing: (Foundation Center's Guide to Proposal Writing, 3rd ed) |
By Jane C. Geever |
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On Directing Film |
By David Mamet |
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Notting Hill: (Penguin Longman Penguin Readers) |
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Kotler on Marketing |
By Philip Kotler |
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The World Is Flat |
By Thomas L. Friedman |
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A Guide to Musical Analysis |
By Nicholas Cook |
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Arts Marketing |
By Peter Fraser, Mustafa Ozbilgin, Finola Kerrigan |
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Principles of Marketing |
By Philip Kotler |
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The Musical Idea and the Logic, Technique, and Art of Its Presentation |
By Arnold Schoenberg |
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Counterpoint: The Polyphonic Vocal Style of the Sixteenth Century |
By Knud Jeppesen |
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Analytic Approaches to Twentieth-Century Music |
By Joel Lester |
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Handbook For Writing Proposals |
By L. Sue Baugh, Robert J. Hamper |
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Professing Performance: Theatre in the Academy from Philology to Performativity (Theatre and Performance Theory) |
By Shannon Jackson |
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A Simple Statement: A Guide to Nonprofit Arts Management and Leadership |
By Jamie Grady |
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Arts Marketing Insights: The Dynamics of Building and Retaining Performing Arts Audiences |
By Philip Kotler, Joanne Scheff Bernstein |
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NEW MUSIC VOCABULARY |
By Howard Risatti |
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Proposal Writing |
By Cynthia Scheinberg, Soraya Coley |
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Moments of Truth |
By Jan Carlzon |
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Performance: Live Art Since the '60s |
By Roselee Goldberg, Laurie Anderson |
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FAQs on Marketing |
By Philip Kotler |
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