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landsend's note

“There are no words. The one I send home comes out a pukka Englishman, white-suited, silly wig lawyer. The one I keep here is fully paid-up green-bow-tie-wearing fundamentalist terrorist. I sometimes wonder why I bother,” said Samad bitterly, betraying the English inflections of twenty years in the country, “I really do. These days, it seems to me like you make a devil's pact when you walk into this country. You hand over your passport at the check-in, you get stamped, you want to make a little money, get yourself started... but you mean to go back! Who would want to stay? Cold, wet, miserable; terrible food, dreadful newspapers—who would want to stay? In a place where you are never welcomed, only tolerated. Just tolerated. Like you are an animal finally housebroken. Who would want to stay? But you have made a devil's pact... it drags you in and suddenly you are unsuitable to return, your children are unrecognizable, you belong nowhere.”
“Oh, that's not true, surely.”
“And then you begin to give up the very idea of belonging. Suddenly this thing, this belonging, it seems like some long, dirty lie... and I begin to believe that birthplaces are accidents, that everything is an accident. But if you believe that, where do you go? What do you do? What does anything matter?”
As Samad described this dystopia with a look of horror, Irie was ashamed to find that the land of accidents sounded like paradise to her. Sounded like freedom.
“Do you understand, child? I know you understand.”
And what he really meant was: do we speak the same language? Are we from the same place? Are we the same?
Irie squeezed his hand and nodded vigorously, trying to ward off his tears. What else could she tell him but what he wanted to hear?
“Yes,” she said. “Yes, yes, yes.”


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