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All books
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- Trafficologia (46)
- Perché le donne causano ingorghi e gli uomini incidenti mortali
- By Tom Vanderbilt
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Reading since Feb 4, 2012
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- Le intermittenze della morte (3197)
- By José Saramago
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Finished on Feb 4, 2012
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- Youth (98)
- By John Maxwell Coetzee
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Finished on Feb 1, 2012
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- Lords and Ladies (291)
- By Terry Pratchett
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Finished on Jan 31, 2012
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- Lezioni di logica (1)
- By Mario Servi
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Finished on Jan 22, 2012
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- Saggio sull'uomo (32)
- Una introduzione alla filosofia della cultura umana
- By Ernst Cassirer
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Finished on Jan 17, 2012
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- Turner (44)
- By Michael Bockemuhl
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Finished on Jan 10, 2012
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- È un magico mondo (377)
- Calvin and Hobbes
- By Bill Watterson
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Finished on Dec 30, 2011
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- Il était une fois ... (12)
- By Benjamin Lacombe
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Finished on Dec 29, 2011
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- Tigrotto psicotico con istinto omicida (442)
- By Bill Watterson
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Finished on Dec 28, 2011
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- Calvin and Hobbes - Tavole domenicali (236)
- 1985-1995
- By Bill Watterson
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Finished on Dec 27, 2011
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- La nascita della Repubblica e la sua Costituzione (136)
- Il testo integrale della Costituzione e le immagini del 2 giugno 1946, il giorno della Repubblica
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Finished on Dec 18, 2011
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- Schizzi pirroniani (21)
- By Sesto Empirico
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Finished on Dec 14, 2011
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- La filosofia come scienza rigorosa (119)
- By Edmund Husserl
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Finished on Dec 13, 2011
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- Il fondamento delle scienze della cultura (1)
- By Heinrich Rickert
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Finished on Dec 8, 2011
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Il fondamento delle scienze della cultura
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Un piccolo saggio, molto interessante, che cerca di dare una fondazione metodologica alle Scienze della Cultura (e abbandonare la definizione di Scienze dello Spirito) attraverso una distinzione materiale (ma non ontologica) tra natura priva di valore e cultura come riferimento a valore e una distin ... (continue)
- — Dec 8, 2011 | Add your feedback
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Youth
There is a young man that travels through his youth using his ideal of poets and artists as an excuse for his fear, fear of doing really something, of taking responsibilities.
He hopes to be equal to Eliot and Pound, but does not strive to be like them, using life as an excuse to be a terrible poet ... (continue)
There is a young man that travels through his youth using his ideal of poets and artists as an excuse for his fear, fear of doing really something, of taking responsibilities.
He hopes to be equal to Eliot and Pound, but does not strive to be like them, using life as an excuse to be a terrible poet and using poetry as an excuse for escaping from real life; the worst part being he knows all this himself.
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