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<rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/"><channel><title>aNobii: News from [person name]'s shelf</title><link>http://www.anobii.com/people/01dba751bbcbfaf35f/</link><description>News from [person name]'s shelf</description><language></language><lastBuildDate>Thu, 23 May 2013 19:21:46 PST</lastBuildDate><copyright>2006 Anobi, Inc</copyright><item><title>Duchamp</title><link>http://www.anobii.com/books/Duchamp/9788845048111/0127ca40d34ccbf925/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 17:42:59 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Duchamp/9788845048111/0127ca40d34ccbf925/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=0127ca40d34ccbf925&amp;time=1333475661"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Il palace</title><link>http://www.anobii.com/books/Il_palace/01054535a96f7bf594/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 17:38:20 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Il_palace/01054535a96f7bf594/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=01054535a96f7bf594&amp;time=1234000818"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Storia</title><link>http://www.anobii.com/books/Storia/01d7c1dc20d6e74671/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 17:38:09 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Storia/01d7c1dc20d6e74671/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=01d7c1dc20d6e74671&amp;time=1297262002"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>La battaglia di Farsalo</title><link>http://www.anobii.com/books/La_battaglia_di_Farsalo/9788806593971/0104c6c9892108e6e6/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 17:38:08 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/La_battaglia_di_Farsalo/9788806593971/0104c6c9892108e6e6/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=0104c6c9892108e6e6&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>L'acacia</title><link>http://www.anobii.com/books/Lacacia/9788806135362/01bd2597a439f27b2f/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 17:38:06 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Lacacia/9788806135362/01bd2597a439f27b2f/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=01bd2597a439f27b2f&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Trittico</title><link>http://www.anobii.com/books/Trittico/9788806421502/012e546ebf1cd020a5/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 17:38:05 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Trittico/9788806421502/012e546ebf1cd020a5/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=012e546ebf1cd020a5&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>La strada delle Fiandre</title><link>http://www.anobii.com/books/La_strada_delle_Fiandre/9788806591540/01dbeb2dd40d6475a9/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 17:38:01 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/La_strada_delle_Fiandre/9788806591540/01dbeb2dd40d6475a9/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=01dbeb2dd40d6475a9&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Max Ernst</title><link>http://www.anobii.com/books/Max_Ernst/9782858509829/01af0b7db7c81906ff/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 17:34:37 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Max_Ernst/9782858509829/01af0b7db7c81906ff/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=01af0b7db7c81906ff&amp;time=1312665484"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Max Ernst</title><link>http://www.anobii.com/books/Max_Ernst/9788817241106/0148f12149b3a74267/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 17:34:15 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Max_Ernst/9788817241106/0148f12149b3a74267/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=0148f12149b3a74267&amp;time=1203933174"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Henri Michaux</title><link>http://www.anobii.com/books/Henri_Michaux/9788881188369/013165c434da52f961/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 17:33:36 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Henri_Michaux/9788881188369/013165c434da52f961/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=013165c434da52f961&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Mercante del segno</title><link>http://www.anobii.com/books/Mercante_del_segno/019d86a4f370c73ab2/</link><description>~ [person name] put "[title]" onto shelf
 

 Per la prima volta in lingua italiana, la raccolta degli scritti storici di M. Duchamp costituisce una precisa occasione per confrontarsi con una delle esperienze più inquietanti e fertiili dell'arte figurativa del nostro secolo. La tecnica del frammento che presiede alla stesura degli scritti, rivela una programmatica tendenza all'incompletezza: la totalità delusa e ricacciata nei territori dell ...</description><pubDate>Fri, 23 Mar 2012 17:32:01 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Mercante_del_segno/019d86a4f370c73ab2/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=019d86a4f370c73ab2&amp;time=1247905430"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Per la prima volta in lingua italiana, la raccolta degli scritti storici di M. Duchamp costituisce una precisa occasione per confrontarsi con una delle esperienze più inquietanti e fertiili dell'arte figurativa del nostro secolo. La tecnica del frammento che presiede alla stesura degli scritti, rivela una programmatica tendenza all'incompletezza: la totalità delusa e ricacciata nei territori dell ...&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Replay</title><link>http://www.anobii.com/books/Replay/9783905770575/015c03bf29241290ea/</link><description>~ [person name] put "[title]" onto shelf
 

 The book reunites some of Marclay's most important films and projections to date and has been designed in close collaboration with the artist.</description><pubDate>Fri, 23 Mar 2012 17:30:28 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Replay/9783905770575/015c03bf29241290ea/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=015c03bf29241290ea&amp;time=1332504246"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;The book reunites some of Marclay's most important films and projections to date and has been designed in close collaboration with the artist.&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Ubi Fluxus Ibi Motus, 1990-1962</title><link>http://www.anobii.com/books/Ubi_Fluxus_Ibi_Motus,_1990-1962/9788820209582/01cc648e169794b019/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 17:23:40 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Ubi_Fluxus_Ibi_Motus,_1990-1962/9788820209582/01cc648e169794b019/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=01cc648e169794b019&amp;time=1248640743"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Una settimana di bontà, o i sette elementi capitali</title><link>http://www.anobii.com/books/Una_settimana_di_bontà,_o_i_sette_elementi_capitali/9788820202200/0196f7055ce88fd7e5/</link><description>~ [person name] put "[title]" onto shelf
 

 Se la tecnica del collage è divenuta un'arte, lo deve anche ad un'opera come questo libro e naturalmente a Max Ernst, uno dei maestri del collage e ineguagliabile pittore surrealista.
"Una settimana di bontà o i sette elementi capitali" può considerarsi un capolavoro del suo genere, il libro collage.
Nel 1933 Max Ernst venne in Italia in visita presso alcuni amici. Di passaggio a Milano comprò un ...</description><pubDate>Fri, 23 Mar 2012 17:23:33 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Una_settimana_di_bontà,_o_i_sette_elementi_capitali/9788820202200/0196f7055ce88fd7e5/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=0196f7055ce88fd7e5&amp;time=1266563332"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Se la tecnica del collage è divenuta un'arte, lo deve anche ad un'opera come questo libro e naturalmente a Max Ernst, uno dei maestri del collage e ineguagliabile pittore surrealista.
"Una settimana di bontà o i sette elementi capitali" può considerarsi un capolavoro del suo genere, il libro collage.
Nel 1933 Max Ernst venne in Italia in visita presso alcuni amici. Di passaggio a Milano comprò un ...&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>FADES</title><link>http://www.anobii.com/books/FADES/9783899552010/016456b5b98db09502/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 17:20:28 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/FADES/9783899552010/016456b5b98db09502/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=016456b5b98db09502&amp;time=1338336179"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Arte in videotape</title><link>http://www.anobii.com/books/Arte_in_videotape/9788836609185/0126fa50c1b178ca2a/</link><description>~ [person name] put "[title]" onto shelf
 

 Il videotape, come "medium" e "linguaggio", è entrato da tempo in quella che Rosalind Krauss ha definito "condizione postmediale". L'obsolescenza tecnologica del videotape ha riportato una forte e inedita attenzione alla sua dimensione artistica. Infatti, la progressiva e irreversibile cancellazione delle immagini dei "videotape d'artista", dovuta alla degenerazione del nastro magnetico, ha posto ...</description><pubDate>Fri, 23 Mar 2012 17:18:45 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Arte_in_videotape/9788836609185/0126fa50c1b178ca2a/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=0126fa50c1b178ca2a&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Il videotape, come "medium" e "linguaggio", è entrato da tempo in quella che Rosalind Krauss ha definito "condizione postmediale". L'obsolescenza tecnologica del videotape ha riportato una forte e inedita attenzione alla sua dimensione artistica. Infatti, la progressiva e irreversibile cancellazione delle immagini dei "videotape d'artista", dovuta alla degenerazione del nastro magnetico, ha posto ...&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Le icone fluttuanti</title><link>http://www.anobii.com/books/Le_icone_fluttuanti/9788842497226/010d7e7884ed042dee/</link><description>~ [person name] put "[title]" onto shelf
 

 Una storia del cinema d'artista e quindi della videoarte in Italia durantetutto il XX secolo, a partire dagli esordi. Si procede dalle prime esperienzefuturiste di Anton Giulio Bragaglia e dei fratelli Corradini alle ricercheinformatiche degli anni Novanta, passando da Luigi Veronesi, Bruno Munari eattraverso il lavoro di tutti coloro che hanno utilizzato il cinema comestrumento dell'arte. Il lib ...</description><pubDate>Fri, 23 Mar 2012 17:17:08 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Le_icone_fluttuanti/9788842497226/010d7e7884ed042dee/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=010d7e7884ed042dee&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Una storia del cinema d'artista e quindi della videoarte in Italia durantetutto il XX secolo, a partire dagli esordi. Si procede dalle prime esperienzefuturiste di Anton Giulio Bragaglia e dei fratelli Corradini alle ricercheinformatiche degli anni Novanta, passando da Luigi Veronesi, Bruno Munari eattraverso il lavoro di tutti coloro che hanno utilizzato il cinema comestrumento dell'arte. Il lib ...&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Oltre l'immagine</title><link>http://www.anobii.com/books/Oltre_limmagine/9788876483707/0185e8d6558d6698ed/</link><description>~ [person name] put "[title]" onto shelf
 

 Invece che accettare l'idea affascinante quanto comune per cui i nuovi media semplicemente si starebbero sostituendo alla realt&amp;agrave;, Kevin Robins li analizza dettagliatamente dal punto di vista sociologico per individuare le forze e gli eventi che ne hanno condizionato la nascita e l'evoluzione. Chiedendosi quali tensioni siano all'origine delle fantasie utopiche del ciberspazio, le realt&amp;agr ...</description><pubDate>Fri, 23 Mar 2012 17:16:46 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Oltre_limmagine/9788876483707/0185e8d6558d6698ed/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=0185e8d6558d6698ed&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Invece che accettare l'idea affascinante quanto comune per cui i nuovi media semplicemente si starebbero sostituendo alla realt&amp;agrave;, Kevin Robins li analizza dettagliatamente dal punto di vista sociologico per individuare le forze e gli eventi che ne hanno condizionato la nascita e l'evoluzione. Chiedendosi quali tensioni siano all'origine delle fantasie utopiche del ciberspazio, le realt&amp;agr ...&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Arte tra azione e contemplazione</title><link>http://www.anobii.com/books/Arte_tra_azione_e_contemplazione/9788846708533/01bb9067c22c93256d/</link><description>~ [person name] put "[title]" onto shelf
 

 &amp;quot;Azione&amp;quot; e &amp;quot;contemplazione&amp;quot; sono due termini attorno a cui si addensano alcuni nuclei problematici connessi con la questione dell'interattivit&amp;agrave; nelle ricerche artistiche contemporanee, un ambito sperimentale sviluppatosi a partire dagli anni novanta, volto ad investigare le implicazioni estetiche, etiche e comunicative delle tecnologie informatiche pi&amp;ugrave; avanzate.  ...</description><pubDate>Fri, 23 Mar 2012 17:16:07 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Arte_tra_azione_e_contemplazione/9788846708533/01bb9067c22c93256d/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=01bb9067c22c93256d&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&amp;quot;Azione&amp;quot; e &amp;quot;contemplazione&amp;quot; sono due termini attorno a cui si addensano alcuni nuclei problematici connessi con la questione dell'interattivit&amp;agrave; nelle ricerche artistiche contemporanee, un ambito sperimentale sviluppatosi a partire dagli anni novanta, volto ad investigare le implicazioni estetiche, etiche e comunicative delle tecnologie informatiche pi&amp;ugrave; avanzate.  ...&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Visioni elettroniche</title><link>http://www.anobii.com/books/Visioni_elettroniche/9788831778084/01ef4776640001f823/</link><description>~ [person name] put "[title]" onto shelf
 

 Non sono numerose in Italia le elaborazioni tecniche e le analisi sulle "arti elettroniche" che pure riscuotono in questi anni un interesse crescente. Il libro della Lischi si propone di colmare questa lacuna analizzando la creazione audiovisiva che si avvale della tecnologia elettronica attraverso concetti e parole chiave. Un'analisi che illumina dai vari punti di vista - il teorico, il critico, ...</description><pubDate>Fri, 23 Mar 2012 17:15:56 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Visioni_elettroniche/9788831778084/01ef4776640001f823/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=01ef4776640001f823&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Non sono numerose in Italia le elaborazioni tecniche e le analisi sulle "arti elettroniche" che pure riscuotono in questi anni un interesse crescente. Il libro della Lischi si propone di colmare questa lacuna analizzando la creazione audiovisiva che si avvale della tecnologia elettronica attraverso concetti e parole chiave. Un'analisi che illumina dai vari punti di vista - il teorico, il critico, ...&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Marcel Duchamp</title><link>http://www.anobii.com/books/Marcel_Duchamp/9788871680958/0194a86cf4ce32ede2/</link><description>~ [person name] put "[title]" onto shelf
 

 Probabilmente uno degli artisti più importanti del nostro secolo.</description><pubDate>Fri, 23 Mar 2012 17:14:12 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Marcel_Duchamp/9788871680958/0194a86cf4ce32ede2/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=0194a86cf4ce32ede2&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Probabilmente uno degli artisti più importanti del nostro secolo.&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Gerhard Richter, übermalte Fotografien</title><link>http://www.anobii.com/books/Gerhard_Richter,_übermalte_Fotografien/9783775722421/013f86a6d54703271c/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 17:11:46 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Gerhard_Richter,_übermalte_Fotografien/9783775722421/013f86a6d54703271c/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=013f86a6d54703271c&amp;time=1332493940"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Gerhard Richter</title><link>http://www.anobii.com/books/Gerhard_Richter/9783775723473/01732bf14fc55ffdd3/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 17:11:29 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Gerhard_Richter/9783775723473/01732bf14fc55ffdd3/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=01732bf14fc55ffdd3&amp;time=1332493932"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>David Lynch</title><link>http://www.anobii.com/books/David_Lynch/9780500976692/015ca68bfad0ee1955/</link><description>~ [person name] put "[title]" onto shelf
 

 The first major collection of artwork by the acclaimed movie director David Lynch.


Spanning a period of forty years, David Lynch's widely respected films and television series include Eraserhead, The Elephant Man, Blue Velvet, Twin Peaks, Lost Highway, and Mulholland Drive. However, his prolific visual art production, which began even before his films, has rarely been seen.


This catalogue of  ...</description><pubDate>Fri, 23 Mar 2012 17:09:29 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/David_Lynch/9780500976692/015ca68bfad0ee1955/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=015ca68bfad0ee1955&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;The first major collection of artwork by the acclaimed movie director David Lynch.


Spanning a period of forty years, David Lynch's widely respected films and television series include Eraserhead, The Elephant Man, Blue Velvet, Twin Peaks, Lost Highway, and Mulholland Drive. However, his prolific visual art production, which began even before his films, has rarely been seen.


This catalogue of  ...&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Il corpo postorganico</title><link>http://www.anobii.com/books/Il_corpo_postorganico/9788876482410/01d350aab1ddcc1ad2/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 17:08:33 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Il_corpo_postorganico/9788876482410/01d350aab1ddcc1ad2/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=01d350aab1ddcc1ad2&amp;time=1200146884"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Nessun tempo nessun corpo</title><link>http://www.anobii.com/books/Nessun_tempo_nessun_corpo/9788884911667/01c9c0d170ae9dcd1c/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 17:07:22 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Nessun_tempo_nessun_corpo/9788884911667/01c9c0d170ae9dcd1c/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=01c9c0d170ae9dcd1c&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Body Art</title><link>http://www.anobii.com/books/Body_Art/9788881186532/0123544f9815b4bc55/</link><description>~ [person name] put "[title]" onto shelf
 

 When The Body as Language ("Body-art" and Performance) appeared in 1974, it was immediately a huge publishing hit, reviewed by some of the most influential art historians and writers (Giulio C. Argan, Edoardo Sanguineti, Max Kozloff, Lucy Lippard, François Pluchart, Peter Gorsen, Evelyn Weiss and many others). A direct testimony of the birth and development of one of the most controversial art tr ...</description><pubDate>Fri, 23 Mar 2012 17:07:01 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Body_Art/9788881186532/0123544f9815b4bc55/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=0123544f9815b4bc55&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;When The Body as Language ("Body-art" and Performance) appeared in 1974, it was immediately a huge publishing hit, reviewed by some of the most influential art historians and writers (Giulio C. Argan, Edoardo Sanguineti, Max Kozloff, Lucy Lippard, François Pluchart, Peter Gorsen, Evelyn Weiss and many others). A direct testimony of the birth and development of one of the most controversial art tr ...&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Identità mutanti</title><link>http://www.anobii.com/books/Identità_mutanti/9788876482731/0178bb19d28751273c/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 17:03:31 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Identità_mutanti/9788876482731/0178bb19d28751273c/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=0178bb19d28751273c&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Performances</title><link>http://www.anobii.com/books/Performances/01ba800b3783bc206a/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 17:02:52 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Performances/01ba800b3783bc206a/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=01ba800b3783bc206a&amp;time=1333176781"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Vita e morte dell'immagine</title><link>http://www.anobii.com/books/Vita_e_morte_dellimmagine/9788880331391/01146ebbf8f3026274/</link><description>~ [person name] put "[title]" onto shelf
 

 L'indagine di Debray &amp;egrave; impegnata a ricostruire una storia dell'immagine chesia insieme una storia &amp;quot;dello sguardo in Occidente&amp;quot;. Servendosi deglistrumenti della mediologia, in una prospettiva che unisce ci&amp;ograve; che l'Occidenteha sempre separato, l'autore ripercorre la presenza dell'idolo, larappresentazione dell'opera d'arte, fino alla simulazione dell'immaginedigitale.</description><pubDate>Fri, 23 Mar 2012 17:02:16 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Vita_e_morte_dellimmagine/9788880331391/01146ebbf8f3026274/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=01146ebbf8f3026274&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;L'indagine di Debray &amp;egrave; impegnata a ricostruire una storia dell'immagine chesia insieme una storia &amp;quot;dello sguardo in Occidente&amp;quot;. Servendosi deglistrumenti della mediologia, in una prospettiva che unisce ci&amp;ograve; che l'Occidenteha sempre separato, l'autore ripercorre la presenza dell'idolo, larappresentazione dell'opera d'arte, fino alla simulazione dell'immaginedigitale.&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Fenomenologia dell'invisibile</title><link>http://www.anobii.com/books/Fenomenologia_dellinvisibile/9788870786828/01f470e845154de8fa/</link><description>~ [person name] put "[title]" onto shelf
 

 Non sempre le immagini spiegano l'immaginazione come processo, le apparenzevisive si incrociano con quelle della mente e queste ultime disputano con lerappresentazioni dei sensi corporei, a loro volta allusive di immagini mitichee poetiche. Se primo scopo di questo libro &amp;egrave; dunque chiarificare sul pianoconcettuale l'immagine, si vuole anche comprendere, su questa base, che imondi immaginari ...</description><pubDate>Fri, 23 Mar 2012 17:01:47 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Fenomenologia_dellinvisibile/9788870786828/01f470e845154de8fa/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=01f470e845154de8fa&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Non sempre le immagini spiegano l'immaginazione come processo, le apparenzevisive si incrociano con quelle della mente e queste ultime disputano con lerappresentazioni dei sensi corporei, a loro volta allusive di immagini mitichee poetiche. Se primo scopo di questo libro &amp;egrave; dunque chiarificare sul pianoconcettuale l'immagine, si vuole anche comprendere, su questa base, che imondi immaginari ...&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Beyond Cinema</title><link>http://www.anobii.com/books/Beyond_Cinema/9783775718745/015b60bbef0f43dac4/</link><description>~ [person name] put "[title]" onto shelf
 

 Wherever we go, we are surrounded by moving images. In art as in daily life, they have long since developed a life "beyond the cinema," scuttling the conventions of dark auditoriums for images projected onto walls, staged in specially-designed environments, and aggregated in multiples. Beyond Cinema centers around approximately 25 important film and video works, primarily the major installations  ...</description><pubDate>Fri, 23 Mar 2012 17:00:45 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Beyond_Cinema/9783775718745/015b60bbef0f43dac4/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=015b60bbef0f43dac4&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Wherever we go, we are surrounded by moving images. In art as in daily life, they have long since developed a life "beyond the cinema," scuttling the conventions of dark auditoriums for images projected onto walls, staged in specially-designed environments, and aggregated in multiples. Beyond Cinema centers around approximately 25 important film and video works, primarily the major installations  ...&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>The shadows</title><link>http://www.anobii.com/books/The_shadows/9781931885126/018d4106145f6ab503/</link><description>~ [person name] put "[title]" onto shelf
 

 But neither is darkness allowed to swallow the bitter sweet moments of disclosure. This is the absurd, the tension, always maintained in Caffery's photographs -- she has found the spiritual, together with its enemies. James R. Watson</description><pubDate>Fri, 23 Mar 2012 16:58:39 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/The_shadows/9781931885126/018d4106145f6ab503/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=018d4106145f6ab503&amp;time=1332493142"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;But neither is darkness allowed to swallow the bitter sweet moments of disclosure. This is the absurd, the tension, always maintained in Caffery's photographs -- she has found the spiritual, together with its enemies. James R. Watson&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>The Helsinki School. New Photography by TaiK</title><link>http://www.anobii.com/books/The_Helsinki_School_New_Photography_by_TaiK/9783775718882/013924e74236ec80bc/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 16:57:15 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/The_Helsinki_School_New_Photography_by_TaiK/9783775718882/013924e74236ec80bc/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=013924e74236ec80bc&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Peter Bialobrzeski</title><link>http://www.anobii.com/books/Peter_Bialobrzeski/9783775720496/01971256411467b350/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 16:55:12 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Peter_Bialobrzeski/9783775720496/01971256411467b350/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=01971256411467b350&amp;time=1197920588"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Paradise Now</title><link>http://www.anobii.com/books/Paradise_Now/9783775723329/01568ab7d5850609c4/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 16:55:11 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Paradise_Now/9783775723329/01568ab7d5850609c4/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=01568ab7d5850609c4&amp;time=1317818813"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Nan Goldin</title><link>http://www.anobii.com/books/Nan_Goldin/9780893812362/01b109aabe1a8ea580/</link><description>~ [person name] put "[title]" onto shelf
 

 Goldin charts the loss of innocence through barrooms and parties on the social periphery of New York's East Village and through the harrowing worlds of drugs and prostitution. The Ballad of Sexual Dependency is a visual diary chronicling the struggle for intimacy and understanding between friends, and lovers--collectively described by Nan Goldin as her "tribe." Her work describes a world that is  ...</description><pubDate>Fri, 23 Mar 2012 16:53:24 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Nan_Goldin/9780893812362/01b109aabe1a8ea580/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=01b109aabe1a8ea580&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Goldin charts the loss of innocence through barrooms and parties on the social periphery of New York's East Village and through the harrowing worlds of drugs and prostitution. The Ballad of Sexual Dependency is a visual diary chronicling the struggle for intimacy and understanding between friends, and lovers--collectively described by Nan Goldin as her "tribe." Her work describes a world that is  ...&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Closer</title><link>http://www.anobii.com/books/Closer/9780811834940/019b720fe613c9be37/</link><description>~ [person name] put "[title]" onto shelf
 

 Closer: Photographs by Elinor Carucci is the first monograph by this recipient of the prestigious International Center for Photography s 2001 Infinity Award for Best Young Photographer. Carucci is renowned for sensuous portraits of her family and herself, and Closer reveals the breadth of her work, from the erotic to the ethereal-exposing an emotionally honest world flooded with color. Fragments  ...</description><pubDate>Fri, 23 Mar 2012 16:53:13 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Closer/9780811834940/019b720fe613c9be37/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=019b720fe613c9be37&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Closer: Photographs by Elinor Carucci is the first monograph by this recipient of the prestigious International Center for Photography s 2001 Infinity Award for Best Young Photographer. Carucci is renowned for sensuous portraits of her family and herself, and Closer reveals the breadth of her work, from the erotic to the ethereal-exposing an emotionally honest world flooded with color. Fragments  ...&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>The blue room</title><link>http://www.anobii.com/books/The_blue_room/9780714848327/01a8b4e6fc17f71813/</link><description>~ [person name] put "[title]" onto shelf
 

 Richards' photographs are a statement on the vulnerability of man in the face of the shifting economic opportunities and the climate; a commentary on the inevability of change. In these contemplative pictures we are inspired to imagine the lives of the homes' former occupants. Richards enigmatic pictures make The Blue Room a thought-provoking meditation on memory; a quiet yet incredibly powerful  ...</description><pubDate>Fri, 23 Mar 2012 16:48:44 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/The_blue_room/9780714848327/01a8b4e6fc17f71813/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=01a8b4e6fc17f71813&amp;time=1265055181"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Richards' photographs are a statement on the vulnerability of man in the face of the shifting economic opportunities and the climate; a commentary on the inevability of change. In these contemplative pictures we are inspired to imagine the lives of the homes' former occupants. Richards enigmatic pictures make The Blue Room a thought-provoking meditation on memory; a quiet yet incredibly powerful  ...&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>New York Girls</title><link>http://www.anobii.com/books/New_York_Girls/9783822881804/0125191207e18f58ff/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 16:48:33 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/New_York_Girls/9783822881804/0125191207e18f58ff/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=0125191207e18f58ff&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Francesca Woodman</title><link>http://www.anobii.com/books/Francesca_Woodman/9780714844305/010c4d1c25a1edbc54/</link><description>~ [person name] put "[title]" onto shelf
 

 The Most Comprehensive Monograph on the Legendary American  Photographer Ever Published.   Francesca Woodman created her first photograph at thirteen and took her own  life at age 22. She left behind a hauntingly beautiful legacy.  Flailing,  groveling, jumping, and hiding--often dissolving into a blur before the  camera--she used her body as an actor in a mysterious drama.  In less than  a decad ...</description><pubDate>Fri, 23 Mar 2012 16:48:17 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Francesca_Woodman/9780714844305/010c4d1c25a1edbc54/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=010c4d1c25a1edbc54&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;The Most Comprehensive Monograph on the Legendary American  Photographer Ever Published.   Francesca Woodman created her first photograph at thirteen and took her own  life at age 22. She left behind a hauntingly beautiful legacy.  Flailing,  groveling, jumping, and hiding--often dissolving into a blur before the  camera--she used her body as an actor in a mysterious drama.  In less than  a decad ...&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Stigma</title><link>http://www.anobii.com/books/Stigma/9782849950098/014ec9aa0c3f6b6602/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 16:47:29 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Stigma/9782849950098/014ec9aa0c3f6b6602/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=014ec9aa0c3f6b6602&amp;time=1313757790"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>A History of Video Art</title><link>http://www.anobii.com/books/A_History_of_Video_Art/9781845202194/015c1042bf6c633fca/</link><description>~ [person name] put "[title]" onto shelf
 

 Video Art is a critical introduction and guide to artists' video in both Europe and North America. It covers the period from the early 1960s -- when video art first appeared as a distinctive medium -- into the 1990s, when digital technology merged video's distinctive practice with that of independent film-making and photography. This artistic history is also a technological and a cultural history ...</description><pubDate>Fri, 23 Mar 2012 16:45:57 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/A_History_of_Video_Art/9781845202194/015c1042bf6c633fca/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=015c1042bf6c633fca&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Video Art is a critical introduction and guide to artists' video in both Europe and North America. It covers the period from the early 1960s -- when video art first appeared as a distinctive medium -- into the 1990s, when digital technology merged video's distinctive practice with that of independent film-making and photography. This artistic history is also a technological and a cultural history ...&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Pubbliche intimità</title><link>http://www.anobii.com/books/Pubbliche_intimità/9788861590656/01493d3b0c09dfe466/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 16:44:51 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Pubbliche_intimità/9788861590656/01493d3b0c09dfe466/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=01493d3b0c09dfe466&amp;time=1244152765"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Experimental Film And Video</title><link>http://www.anobii.com/books/Experimental_Film_And_Video/9780861966646/0142acc86b12dca774/</link><description>~ [person name] put "[title]" onto shelf
 

 The past 40 years of technological innovation have significantly altered the materials of production and revolutionized the possibilities for experiment and exhibition. Not since the invention of film has there been such a critical period of major change in the imaging technologies accessible to artists. Bringing together key artists in film, video, and digital media, the anthology of Experimenta ...</description><pubDate>Fri, 23 Mar 2012 16:43:25 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Experimental_Film_And_Video/9780861966646/0142acc86b12dca774/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=0142acc86b12dca774&amp;time=1211707386"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;The past 40 years of technological innovation have significantly altered the materials of production and revolutionized the possibilities for experiment and exhibition. Not since the invention of film has there been such a critical period of major change in the imaging technologies accessible to artists. Bringing together key artists in film, video, and digital media, the anthology of Experimenta ...&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Guy Debord (contro) il cinema</title><link>http://www.anobii.com/books/Guy_Debord_contro_il_cinema/9788880332084/0135f28718f78cd93a/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 16:43:03 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Guy_Debord_contro_il_cinema/9788880332084/0135f28718f78cd93a/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=0135f28718f78cd93a&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Immagini allo schermo</title><link>http://www.anobii.com/books/Immagini_allo_schermo/9788870114485/01efeca2e1ca386066/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 16:42:25 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Vedere e potere</title><link>http://www.anobii.com/books/Vedere_e_potere/9788860360199/019e33507b8f350398/</link><description>~ [person name] put "[title]" onto shelf
 

 Gli scritti raccolti in questo libro, che propongono al lettore italiano un percorso critico di Comolli dal 1988 a oggi, vengono a costituire un corpus teorico di estremo spessore sulle questioni fondamentali aperte dalla produzione d'immagini oggi. Al centro della ricerca il funzionamento del dispositivo cinematografico, il rapporto tra i linguaggi visivi e l'apparato sociale ed economico domina ...</description><pubDate>Fri, 23 Mar 2012 16:42:05 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Vedere_e_potere/9788860360199/019e33507b8f350398/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=019e33507b8f350398&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Gli scritti raccolti in questo libro, che propongono al lettore italiano un percorso critico di Comolli dal 1988 a oggi, vengono a costituire un corpus teorico di estremo spessore sulle questioni fondamentali aperte dalla produzione d'immagini oggi. Al centro della ricerca il funzionamento del dispositivo cinematografico, il rapporto tra i linguaggi visivi e l'apparato sociale ed economico domina ...&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Cronologia, tempo e identità nei film e video degli artisti contemporanei</title><link>http://www.anobii.com/books/Cronologia,_tempo_e_identità_nei_film_e_video_degli_artisti_contemporanei/9788874900350/0159545b7d15b6e757/</link><description>~ [person name] put "[title]" onto shelf
 

 In queste multiple escursioni tra le installazioni filmiche degli artisti, Daniel Birnbaum approfondisce il problema che ha preoccupato Deleuze a proposito del cinema del dopoguerra.</description><pubDate>Fri, 23 Mar 2012 16:41:39 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Cronologia,_tempo_e_identità_nei_film_e_video_degli_artisti_contemporanei/9788874900350/0159545b7d15b6e757/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=0159545b7d15b6e757&amp;time=1212337446"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;In queste multiple escursioni tra le installazioni filmiche degli artisti, Daniel Birnbaum approfondisce il problema che ha preoccupato Deleuze a proposito del cinema del dopoguerra.&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Narrativity</title><link>http://www.anobii.com/books/Narrativity/9782914563307/01fff6525441264003/</link><description>~ [person name] put "[title]" onto shelf
 

 Traditional narrative structure hit a wall--or rather it hit the glass of a kaleidoscope--in the 1990s, when art began to function as a kind of editing table on which daily reality could be remixed and recreated. Narrativity considers the importance of new narrative modes, looking not only at the visual arts but at contemporary literature and film, and the mutual influences between them. It tackl ...</description><pubDate>Fri, 23 Mar 2012 16:40:50 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Narrativity/9782914563307/01fff6525441264003/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=01fff6525441264003&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Traditional narrative structure hit a wall--or rather it hit the glass of a kaleidoscope--in the 1990s, when art began to function as a kind of editing table on which daily reality could be remixed and recreated. Narrativity considers the importance of new narrative modes, looking not only at the visual arts but at contemporary literature and film, and the mutual influences between them. It tackl ...&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Northwave</title><link>http://www.anobii.com/books/Northwave/9788836614097/01f6a6e1b090a94d49/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 16:40:05 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Northwave/9788836614097/01f6a6e1b090a94d49/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=01f6a6e1b090a94d49&amp;time=1246982878"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Rovine con vista</title><link>http://www.anobii.com/books/Rovine_con_vista/9788877382009/01aabd162c4985d5b7/</link><description>~ [person name] put "[title]" onto shelf
 

 Una biografia insolita: una donna regista e sceneggiatrice, Elvira Notari, che nasce insieme al cinema (1875-1946) e che si fa narratrice della storia di una grande metropoli, Napoli, attraverso l'immagine filmica. A raccontarla &amp;egrave; una studiosa del cinema che come lei &amp;egrave; nata a Napoli e a Napoli ritorna con questa biografia omaggio densa di osservazioni sul percorso intellettuale e ar ...</description><pubDate>Fri, 23 Mar 2012 16:39:55 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Rovine_con_vista/9788877382009/01aabd162c4985d5b7/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=01aabd162c4985d5b7&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Una biografia insolita: una donna regista e sceneggiatrice, Elvira Notari, che nasce insieme al cinema (1875-1946) e che si fa narratrice della storia di una grande metropoli, Napoli, attraverso l'immagine filmica. A raccontarla &amp;egrave; una studiosa del cinema che come lei &amp;egrave; nata a Napoli e a Napoli ritorna con questa biografia omaggio densa di osservazioni sul percorso intellettuale e ar ...&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>L'analisi del film</title><link>http://www.anobii.com/books/Lanalisi_del_film/9788890123177/018cb9ec6a78412b2b/</link><description>~ [person name] put "[title]" onto shelf
 

 Libro fondamentale per l’affermazione dell’analisi del film come modello di interpretazione del testo cinematografico. Il libro è anche un omaggio al cinema di Alfred Hitchcock con i famosi saggi su Gli uccelli, Intrigo internazionale, Marnie e Psyco.</description><pubDate>Fri, 23 Mar 2012 16:39:04 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Lanalisi_del_film/9788890123177/018cb9ec6a78412b2b/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=018cb9ec6a78412b2b&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Libro fondamentale per l’affermazione dell’analisi del film come modello di interpretazione del testo cinematografico. Il libro è anche un omaggio al cinema di Alfred Hitchcock con i famosi saggi su Gli uccelli, Intrigo internazionale, Marnie e Psyco.&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Tony Oursler</title><link>http://www.anobii.com/books/Tony_Oursler/9788843583577/0118265bdb9f5e4412/</link><description>~ [person name] put "[title]" onto shelf
 

 The intelligent irony that resonates through the best-known body of work of the American artist Tony Oursler, namely, his video and projection installations, results from the subtle combination of sound, language, and pop culture images that suffuse it. These elements are thoroughly explored in this monograph, the most extensive publication ever about Oursler and his work. His videos often employ ...</description><pubDate>Fri, 23 Mar 2012 16:38:17 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Tony_Oursler/9788843583577/0118265bdb9f5e4412/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=0118265bdb9f5e4412&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;The intelligent irony that resonates through the best-known body of work of the American artist Tony Oursler, namely, his video and projection installations, results from the subtle combination of sound, language, and pop culture images that suffuse it. These elements are thoroughly explored in this monograph, the most extensive publication ever about Oursler and his work. His videos often employ ...&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Dentro le immagini</title><link>http://www.anobii.com/books/Dentro_le_immagini/9788842420255/0122e15f9eec35b113/</link><description>~ [person name] put "[title]" onto shelf
 

 C'era un volta il cinema, la fotografìa, la pittura. Ci sono ormai, sempre più spesso, le immagini. Passaggi tra le immagini. Perché tutto 'passa' in televisione. Perché il video ha potuto formare, trasformare tutte le immagini (è il destino delle "nuove immagini"). Tra fotografia, cinema, video l'"entre-image" è un luogo di passaggio, il luogo dove oggi passano le immagini tra immobilità e movim ...</description><pubDate>Fri, 23 Mar 2012 16:38:04 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Dentro_le_immagini/9788842420255/0122e15f9eec35b113/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=0122e15f9eec35b113&amp;time=1200799652"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;C'era un volta il cinema, la fotografìa, la pittura. Ci sono ormai, sempre più spesso, le immagini. Passaggi tra le immagini. Perché tutto 'passa' in televisione. Perché il video ha potuto formare, trasformare tutte le immagini (è il destino delle "nuove immagini"). Tra fotografia, cinema, video l'"entre-image" è un luogo di passaggio, il luogo dove oggi passano le immagini tra immobilità e movim ...&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Camera Obscura, Camera Lucida</title><link>http://www.anobii.com/books/Camera_Obscura,_Camera_Lucida/9789053564943/01a75bfa16ae480378/</link><description>~ [person name] put "[title]" onto shelf
 

 Annette Michelson’s contributions to art and film criticism over the last three decades have been unparalleled. This volume honors her unique legacy with original essays by some of the many scholars who have been influenced by her work. Some continue her efforts to develop theoretical frameworks for understanding modernist art, while others practice her form of interdisciplinary criticism in rela ...</description><pubDate>Fri, 23 Mar 2012 16:37:51 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Camera_Obscura,_Camera_Lucida/9789053564943/01a75bfa16ae480378/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=01a75bfa16ae480378&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Annette Michelson’s contributions to art and film criticism over the last three decades have been unparalleled. This volume honors her unique legacy with original essays by some of the many scholars who have been influenced by her work. Some continue her efforts to develop theoretical frameworks for understanding modernist art, while others practice her form of interdisciplinary criticism in rela ...&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Le arti del video</title><link>http://www.anobii.com/books/Le_arti_del_video/9788846708434/01c8098aaaa942bddf/</link><description>~ [person name] put "[title]" onto shelf
 

 Un insieme di punti di vista diversi, uniti dal filo rosso dell'arte video nelle sue relazioni e nel suo dialogo con le altre arti: pittura, scultura, fotografia, cinema, poesia, musica, spettacolo. Esplorazioni approfondite di opere - video e installazioni - analizzate da giovani studiosi formatisi all'Universit&amp;agrave; di Pisa, che ci propongono metodi di lettura e strumenti critici adeguati al ...</description><pubDate>Fri, 23 Mar 2012 16:36:41 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Le_arti_del_video/9788846708434/01c8098aaaa942bddf/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=01c8098aaaa942bddf&amp;time=0"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;Un insieme di punti di vista diversi, uniti dal filo rosso dell'arte video nelle sue relazioni e nel suo dialogo con le altre arti: pittura, scultura, fotografia, cinema, poesia, musica, spettacolo. Esplorazioni approfondite di opere - video e installazioni - analizzate da giovani studiosi formatisi all'Universit&amp;agrave; di Pisa, che ci propongono metodi di lettura e strumenti critici adeguati al ...&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Bill Viola</title><link>http://www.anobii.com/books/Bill_Viola/9788874484867/01bbb70dcd8bda2a46/</link><description>~ [person name] put "[title]" onto shelf
 

 In occasione di: Taormina arte 1993, 8. Rassegna internazionale del video d'arte </description><pubDate>Fri, 23 Mar 2012 16:35:14 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Bill_Viola/9788874484867/01bbb70dcd8bda2a46/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=01bbb70dcd8bda2a46&amp;time=1267797942"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;In occasione di: Taormina arte 1993, 8. Rassegna internazionale del video d'arte &lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Cinemacchine del desiderio</title><link>http://www.anobii.com/books/Cinemacchine_del_desiderio/9788876483424/01985c55471086286c/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 16:34:57 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Cinemacchine_del_desiderio/9788876483424/01985c55471086286c/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=01985c55471086286c&amp;time=1262619192"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Definizione zero</title><link>http://www.anobii.com/books/Definizione_zero/9788876483844/01f30f4c6061829caa/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 16:34:35 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Definizione_zero/9788876483844/01f30f4c6061829caa/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=01f30f4c6061829caa&amp;time=1263916028"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>La musa dello schermo freddo</title><link>http://www.anobii.com/books/La_musa_dello_schermo_freddo/9788876482427/018502bff83b1a3ecb/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 16:34:28 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Le pratiche del video</title><link>http://www.anobii.com/books/Le_pratiche_del_video/9788883198601/01ffb79f835a453f9c/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 16:34:22 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Le_pratiche_del_video/9788883198601/01ffb79f835a453f9c/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=01ffb79f835a453f9c&amp;time=1261077978"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>Le storie del video</title><link>http://www.anobii.com/books/Le_storie_del_video/9788883198618/012316cf95fc86b1a2/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 16:34:05 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/Le_storie_del_video/9788883198618/012316cf95fc86b1a2/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=012316cf95fc86b1a2&amp;time=1261175176"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item><item><title>La coscienza luccicante</title><link>http://www.anobii.com/books/La_coscienza_luccicante/9788874488629/011457feaa02f4564a/</link><description>~ [person name] put "[title]" onto shelf
 

 </description><pubDate>Fri, 23 Mar 2012 16:33:56 PST</pubDate><content:encoded>&lt;table&gt;&lt;tr valign="top"&gt;
  &lt;td width="67"&gt;
   &lt;a href="http://www.anobii.com/books/La_coscienza_luccicante/9788874488629/011457feaa02f4564a/" style="border: 1px solid #333333;"&gt;
    &lt;img src="http://image.anobii.com/anobi/image_book.php?type=3&amp;item_id=011457feaa02f4564a&amp;time=1366660248"&gt;
   &lt;/a&gt;
  &lt;/td&gt;&lt;td style="margin-left: 10px; padding-left: 10px;"&gt;[person name] put "[title]" onto shelf&lt;br /&gt;&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</content:encoded></item></channel></rss>
