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All books
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- Il segreto di Rembrandt (27)
- By Alex Connor
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Reading
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- The Man Within (15)
- (Penguin Classics)
- By Jonathan Yardley, Graham Greene
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Finished on Feb 5, 2012





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- Nei deserti (80)
- By Sven Lindqvist
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Finished on Jan 9, 2012





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- L' amore coniugale (262)
- By Alberto Moravia
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Finished on Dec 31, 2011





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- Il disprezzo (641)
- By Alberto Moravia
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Finished on Dec 27, 2011





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- Sette anni (21)
- By Peter Stamm
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Finished on Dec 23, 2011





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- Sogni di Bunker Hill (1960)
- By John Fante
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Finished on Nov 30, 2011





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- Il cannocchiale d'Ambra (3145)
- Queste oscure materie - Libro III
- By Philip Pullman
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Finished on Nov 29, 2011





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- Antonio e Cleopatra (1098)
- By William Shakespeare
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Finished on Nov 17, 2011





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- Indignazione (1873)
- By Philip Roth
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Finished on Nov 7, 2011





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1 person find this helpful




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E' un libro che mi ha lasciato poco. Per tutto il tempo non ho sentito empatia con Marcus, che troppo somiglia a un essere fittizio, generato dalla mente dell'autore. Il fatto che tutta la storia sia narrata dalla coscienza di Marcus in uno stato di pre-morte non fa che togliere realismo al romanzo.
- — Nov 10, 2011 | Add your feedback
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- Coriolano (265)
- Testo inglese a fronte
- By William Shakespeare
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Finished on Nov 2, 2011





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- Topolino l'etrusco. Antiche civiltà: dai sumeri agli etruschi (21)
- La storia universale Disney, vol. 3
- By AA.VV.
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Finished on Oct 29, 2011





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- Giorni Memorabili (518)
- By Michael Cunningham
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Finished on Oct 20, 2011





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- Delitto e castigo (15892)
- By Fedor M. Dostoevskij
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Finished on Oct 12, 2011





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- Poirot sul Nilo (2779)
- By Agatha Christie
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Finished on Jul 29, 2011





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Antonio e Cleopatra
I can hardly find love in this tragedy. It's ironic, it's political (the aspect I liked the most), it's ambiguous... it doesn't seem a tragedy at all in some passage, so it proved not like I expected it.
I really don't think Antony and Cleopatra are strong and thick characters, I could hardly look ... (continue)
I can hardly find love in this tragedy. It's ironic, it's political (the aspect I liked the most), it's ambiguous... it doesn't seem a tragedy at all in some passage, so it proved not like I expected it.
I really don't think Antony and Cleopatra are strong and thick characters, I could hardly look at them this way. Maybe this tragedy is not for me, 'cause it seems to me a work with little depth and too much uncertainty.
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