Meanwhile the penultimate instalment in the Dark Tower septet follows three interlocked storylines. Roland and Eddie in New England, where they undergo the firestorm of the book's only major action set-piece, Jake and Father Callahan hot in pursuit of Susannah in New York, and Susannah herself, together with her alter ego Mia, struggling with probably the strangest pregnancy in all fiction. Her travails certainly make the New York horrors of Ira Levin's Rosemary's Baby seem almost mundane. The novel is not complete in itself, but leads to a duel climax-cliffhanger leading directly into the final volume, The Dark Tower.
While the journey itself is compelling and the finale riveting, it is Stephen King's imaginative boldness which make this episode so remarkable. Stories about storytelling have become increasingly common in modern fiction, with books within books and fictional authors being central to such metafictions as Christopher Priest's The Affirmation and Jonathan Carroll's The Land of Laughs. King though takes the process further, writing himself into the saga, playing ingenious games with what the public knows of his life, even to his famous near fatal accident in 1999, and in a breathtaking achievement weaving the 34 year long writing of this series of books into its own fabric. The shocking sting in the final pages mean all bets are off for the epic final volume.--Gary Dalkin...Continua
My second read of Song was on audiobook. And I enjoyed it even more than the first time. The story flows, the surprises are thick. Not the very best of the series, but it ranks very very high.
“You doom yourselves, Susannah. You seem positively bent on it, and the root is always the same: your faith fails you, and you replace it with rational thought. But there is no love in thought, nothing that lasts in deduction, only death in rationalism.”...Continua
Con Song of Susannah la saga della Torre Nera esce dalla palude in cui si era ritrovata con gli ultimi due capitoli. Evento raro negli anni Novanta-Duemila, Stephen King riesce per una volta a essere conciso e a tenere alta la tensione.
Un capitolo di passaggio, che chiude diversi discorsi e trame, dà qualche risposta e presenta il personaggio che meno ci si aspetta: Stephen King stesso. Solo uno spudorato come lui poteva giocarsi questa mossa e da sola basta, con la sua bizzarria, a salvare una saga che stava trascinandosi troppo lentamente.
Genialata o mossa da peracottaio, il fatto che King sia un personaggio della saga e che il suo incidente quasi mortale sia un evento cardine è un espediente narrativo talmente fuori dal comune che vale comunque la pena proseguire.