达·芬奇密码
by Dan Brown
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10 + 3170 in other languages
Cri1967Cri1967 wrote a review
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The naked body of Jacques Saunière's , the Louvre's curator is the first image of the thriller.
In the center of the light, like an insect under a microscope, his corpse lay naked on the parquet floor.
Saunière had drawn a simple symbol on his flesh: five straight lines that intersected to form a five-pointed star.
The pentacle.
This pentacle is representative of the female half of all things — a concept religious historians call the 'sacred feminine' or the 'divine goddess'.
The pentacle symbolizes Venus—the goddess of female sexual love and beauty.
The clarity of Saunière's intentions could not be denied. In his final moments of life, the curator had stripped off his clothing and arranged his body in a clear image of Leonardo da Vinci's Vitruvian Man.
The celebrated sketch consisted of a perfect circle in which was inscribed a nude male, his arms and legs outstretched in a naked spread eagle.
The circle had been the missing critical element. A feminine symbol of protection, the circle around the naked man's body completed Da Vinci's intended message—male and female harmony. The question now, though, was why Saunière would imitate a famous drawing.
Jacques Saunière's final communication seemed as unlikely a departing message
The message read:
13-3-2-21-1-1-8-5 O, Draconian devil! Oh, lame saint!
He also wrote to find Robert Langdon.
Robert Langdo, a Harvard University professor of religious iconology and "symbology", a fictional field related to the study of historic symbols.
So he is the right person at the right moment, as he can decipher the code.
Langdon was supposed to have a meeting with Jacques Saunière's the day of the murder and he became the first suspected person of the murder..
In his investigation, Landgon is helped by the beautiful Sophie, Jacques Saunière's nephew.
She is a French cryptologist.
Step by step, they arrived to discover that the Priory of Sion is the link of the story .
Da Vinci presided over the Priory between 1510 and 1519 as the brotherhood's Grand Master, which might help explain Jacques Saunière's passion for Leonardo's work. The two men shared a historical fraternal bond.
The identities of living Priory members were kept extremely secret, but the P.S. and fleur-de-lis that Sophie saw as a child were proof. It could only have been related to the Priory.
The fleur-de-lis... the flower of Lisa... the Mona Lisa. The Da Vinci she had grabbed, much like the Mona Lisa, was notorious among art historians for its plethora of hidden pagan symbolism. Jacques Saunière had indeed paid a visit to the Mona Lisa before he died and he wouldn't have come there without a reason.
And moreover, a thug from the secretive Catholic organization Opus Dei, under orders from a sinister bishop, is also trying to understand the meaning of the imaginative corpse in the museum.
The interpretation key of the thriller is focused on the Templars and on the Holy Grail, the cup used in the last supper by Jesus.
Holy Grail is the literal meaning of Sangreal.
It is not a cup at all. They claim the Grail legend—that of a chalice—is actually an ingeniously conceived allegory. That is, that the Grail story uses the chalice as a metaphor for something else, something far more powerful.
Something that fits perfectly with everything
Jacques Saunière's had been trying to tell them , including all his symbologic references to the sacred feminine.
The Holy Grail is arguably the most sought-after treasure in human history. The Grail has spawned legends, wars, and lifelong quests.
The legend is a legend about royal blood. When Grail legend speaks of the chalice that held the blood of Christ, it speaks, in fact, of Mary Magdalene—the female womb that carried Jesus' royal bloodline.
History is always written by the winners. When two cultures clash, the loser is obliterated, and the winner writes the history books—books which glorify their own cause and disparage the conquered foe.
The Sangreal documents simply tell the other side of the Christ story. In the end, which side of the story you believe becomes a matter of faith and personal exploration, but at least the information has survived.
The Grail story is everywhere, but it is hidden
You do not find the Grail, the Grail finds you.
Sophie sensed something deeply personal entwined within this mystery.
But which mistery?
From my point of view, the The da Vinci Code has to be seen simply as a work of fiction, an invention, a detective story, a murder story.
It is not an historical book and its only aim is that to maintain the readers' curiosity and in addition to this to rouse a personal reflection about Catholic and artistic world.
According to me, Angels and Demons, written before The da Vinci Code is much higher.
The skill of the author has been that to put together the myths and the legends around the theme of the Holy Grail and to elaborate them in a personal way, creating a story.

Chikacut33xz Chikacut33xz wrote a review
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salvalai 1salvalai 1 wrote a review
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阿植阿植 wrote a review
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蠻早之前就看完的小說,它同時也是我第一本丹.布朗的作品,因為一些事所以決定順便把這本書的心得補一補。

然後啊~我其實還挺喜歡這本書的,尤其是它最後一幕營造出來的氣氛讓我頗為感動~

故事開頭是法國羅浮宮的館長遭到不明人士殺害,並在死前留下的諸多神秘線索,其中還指定去找哈佛大學符號專家的主角蘭登,被列為案件相關人士的蘭登從館長遺留下的密碼察覺,這些密碼其實隱藏著更大的秘密,於是,主角開始循序解各項線索、踏上了解開真相的旅程──

本書的主角「羅柏.蘭登」設定為哈佛大學宗教符號學教授,同時這本書也是以這位主角為系列的第二本書。整本書的中心主旨是尋找「聖杯」這個傳說中的寶物,並以法國為主要舞台,圍繞著以達文西為中心及其他藝術家的多項藝術品進行關聯性解謎,由於作者丹.布朗對於聖杯的詮釋方式在某部份基督教徒中造成衝擊,所以這本書據說當時引發了不少爭議。

整體而言娛樂性很高,不管是對於場景的描述也好、各項藝術品及藝術史的介紹也好,還是有像動作片一般的橋段串場等等,如果說不要太拘泥於「作者是否過於穿鑿附會」這點上,整本看下來會是很愉快的體驗~......嗯,可能有些基督教讀者例外。

總之,我是覺得《達文西密碼》是本很不錯的娛樂小說,除了在基督教社會造成話題性之外,其他表現都很棒~我特別喜歡結局的那段,有種畫龍點睛的效果。

以上。
Celia Celia wrote a review
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Ciro SibilioCiro Sibilio wrote a review
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