ossidiana
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ossidiana

Reggio Emilia, Italy

Anobian since Aug 10, 2008

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Quando tornerò
by Marco Balzano
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Quando tornerò
by Marco Balzano
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Quando tornerò
by Marco Balzano
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Figlia della cenere
by Ilaria Tuti
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Facile preda
by John D. MacDonald
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Due vite
by Emanuele Trevi
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Il pane perduto
by Edith Bruck
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Non sarò mai la brava moglie di nessuno
by Nadia Busato
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Il pastore d'Islanda
by Gunnar Gunnarsson
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Il gioco delle ultime volte
by Margherita Oggero
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Mio caro serial killer
by Alicia Gimenez-Bartlett
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Sembrava bellezza
by Teresa Ciabatti
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Il valore affettivo
by Nicoletta Verna
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Pian della Tortilla
by John Steinbeck
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Prendila così
by Joan Didion
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La ragazza è lei, la scrittrice, quando nel 1958, diciottenne, per la prima volta lontana dalla famiglia come educatrice in una colonia, scopre l’amore, il rapporto con l’altro sesso, i giudizi e i pregiudizi del gruppo, della comunità. L’autrice alterna il racconto in prima e in terza persona, sentendosi ancora quella ragazza, che agiva spinta dal desiderio di libertà e di nuove esperienze, ma prendendone pure le distanze, resa lontana dal tempo trascorso e dalla vita accaduta successivamente. Dice Duccio Demetrio in Raccontarsi: “quando ripensiamo a ciò che abbiamo vissuto, creiamo un altro da noi. Lo vediamo agire, amare, soffrire, godere, mentire, ammalarsi e gioire: ci sdoppiamo, ci bilochiamo, ci moltiplichiamo.” L’autrice racconta di se stessa con fredda oggettività o con convinta partecipazione, cercando di capire cosa l’avesse spinta a comportamenti così licenziosi, come l’essere soggiogata dalle avances sessuali del capo degli educatori, o la dipendenza bulimica o la cleptomania compulsiva, affermando “ a che scopo scrivere se non per disseppellire cose, magari anche una soltanto, irriducibile a ogni sorta di spiegazione – psicologica, sociologica o quant’altro – ( … ) che possa aiutare a comprendere – a sopportare – ciò che accade e ciò che facciamo.” Perché c’è sempre “ l’incomprensione di ciò che si vive nel momento in cui lo si vive” e tornare ad aggiornare la verità su se stessi diventa indispensabile per “assicurare continuità all’esistenza”. In questo modo il diario di quel periodo diventa strumento di riflessione sul passato e sul presente, riappacificandosi e ricongiungendosi con quel che era stata. In ogni caso una scrittrice con i fiocchi.
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Memoria di ragazza
by Annie Ernaux
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Bruciante segreto
by Stefan Zweig
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Libera nos a Malo
by Luigi Meneghello
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Il mangiatore di pietre
by Davide Longo
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