Amateur Reader
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Amateur Reader

Taipei, Taiwan

Anobian since Jul 27, 2014

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隱谷路
by 羅伯特.科爾克(Robert Kolker)
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泽诺的意识
by 伊塔洛·斯维沃
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01
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全文:關於小妖婆乃麗泰 (blog)

連幾個深夜睡前小讀安伯托.艾可(Umberto Eco)的《誤讀》,開篇改編自納博可夫《羅麗泰》的〈乃麗泰〉便讓我笑不可抑,納博可夫要是看了,大概非常不屑又忍俊不禁吧。我邊讀邊大笑嚷嚷︰艾可好煩啊!我被他的笑話撩撥得也想捏捏乃麗泰被歲月節奏壓彎的身軀了。

後來我在《西洋情色文學史》遇到艾可〈乃麗泰〉的原型或說故知,發現前人早已有讚頌老嫗的風氣......

兩隻低垂的蘋果、炙熱的冬天!這比喻攀到了想像的極致。《西洋情色文學史》作者提及這種對已停經婦女的禮讚文風,到了梅那爾的《美貌老嫗》(La
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誤讀
by Umberto Eco
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誤讀
by Umberto Eco
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全文:拇指姑娘(業餘讀者blog)

在表達敬意之外,塞荷勾勒出拇指世代的矛盾:知識資訊海量化,但記憶和閱讀理解更加碎片化;工作與人口數量步入反比等。另外,我們也明白他沒說出的,造假資訊逼真到難以判斷真偽;朋友數量倍增,網路霸凌卻層出不窮;網路犯罪隱匿化等。這些,是我們正在謄寫的現代啟示錄。

救世主從來沒有被誕生,世界沒有輸家或贏家,只有渾身佈滿眼睛的觀眾遍布世界。

代號為「我們」的我們思考過突破,但我們依然順從、為各自的肚皮或貪婪而努力。各部落的雄辯家把經濟從科學變成宗教,要大家來膜拜,大家真拿香去拜了,香油錢也投了,肚皮依然沒動靜,神棍和信徒之間的愛情儼如一個犯罪集團。
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拇指姑娘
by 米榭・塞荷
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拇指姑娘
by 米榭・塞荷
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卡薩諾瓦的周邊

譯本的蒼白追蹤:
翻完兩本中文節譯版的卡薩諾瓦回憶錄,部分比對英文版。只是抽樣比對,因為英文完整版有十二卷、三千多頁,我對外文恐怕還沒有這耐性。

卡薩諾瓦是威尼斯人,他用法文寫回憶錄。十九世紀的初版是譯成德文出版,後又再從德文譯成法文出版,幾經刪減,面目全非。接著,法語教授拉佛格給回憶錄的法語「整型」再出版(因為卡薩諾瓦得彆腳法文),依據索萊爾斯的說法,這個整型有些失敗,卡薩諾瓦變得太莊嚴。例舉M.
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我的一生
by [意] 贾科莫·卡萨诺瓦
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油画材料与技法
by 姚爾暢
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绘画颜料与色彩指南
by 姚尔畅
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寧靜海
by 巴爾提斯.阿蒂拉[匈牙利]
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物性論
by Lucretius, 盧克萊修
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身體不說謊
by 愛麗絲‧米勒
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被身體記住的童年
米勒在晚年找到另一個出口,畫畫,像是回到童年信手拈來的表達方式。她的畫作裡,線條看來有點躁動,人物表情卻很安詳,有種稚氣的可愛,和背景的不安線條搭配起來小有趣。人老是在尋找什麼,尋找的終點就是回溯? 

米勒說書,就像海妖在唱歌,聽著這位海妖的呻吟,我想起《聖母打聖嬰》這張畫。 據說,畫家恩斯特認為,既然處女生孩子都能相信,那聖母打小孩有什麼荒謬的呢?

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我的一生
by [意] 贾科莫·卡萨诺瓦
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只是為了生存的《草瘋長》

蛆的世界,是什麼樣的世界?是一個卑微、甚至卑賤的世界,一個為了活命而能犧牲尊嚴與廉恥、熬過磨難的底層世界。他寫、拍的底層故事,沒有故作沉重,也不沉浸於位階不一的同情和憐憫,而是冷靜的展現活著的力量。我著迷於這股不卑不亢的力量。
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草疯长
by 今村昌平
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獵奇的澁澤龍彥
夢的宇宙誌翻一番
一翻開書卻像闖入異次元空間,百般新奇猶如初讀,除了作者處處引用我喜歡的作家這點外,他毫不隱藏戀物癖般的執著——從書中抓出一條條「微型、不甚起眼」的歷史蟲、在放大鏡下比對和解剖——這點讓我想拜倒在他變裝後的裙下。
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夢的宇宙誌
by 澀澤龍彥
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最最親愛的癩痢麻子們
❝高尚的酒鬼們,還有你們,最最親愛的癩痢麻子們,這本書不是寫給別人,就是寫給你們的!❞──拉伯雷《巨人傳》〈作者序〉

《巨人傳》開篇的序文非常有說書人的氣魄,即使對歐洲中世紀的俚俗不明究理,奇幻、天馬行空的情節依然能讓當代人捧腹大笑,但這本書其實「不容易閱讀」。

拉伯雷吸引我的原因,不只是他為挑釁或爆破教會框架的胡鬧的遊戲文學,另一原因是在他的「隨身書匣」中保有的藏書清單多是我極度興趣的作家︰伊拉斯謨(Erasmus),托瑪斯摩爾(Thomas More),盧西安(Lucian of Samosata),塞涅卡(Senaca)等人。愛屋及烏的習慣在閱讀上蔓延開來的後果,便是挖上來的土堆越疊越高。
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巨人傳
by 拉伯雷[法]
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红书
by [瑞士] 荣格(C. G. Jung)
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〈大漩渦歷險記〉和我

「我們總是盡力在摩斯可大漩渦的魔爪縫隙中求生存、討生活。你知道嗎,只要我們比平潮到來的時刻,早或晚個一分鐘出發、離開,我的心就會揪在一起」。(引自〈大漩渦歷險記〉 )

這段落讓我聯想到夾在泱泱大國間的小國寡民處境,小國寡民也在縫隙中求生存,不時揪著心關注內外的動靜,長期處於被威嚇或杯弓蛇影的恐懼,也許和漁夫相似,必須藉由不斷重複講述自身的歷險故事,來彌補早衰的不足。